Phoro File Degradation. Saving & Destructive Edits Tested

JPEG, TIFF, PSD, Successive Save, Save As, and more.

by Gavin Seim. Updated 11/11. There’s often confusion about what makes a JPEG and other files degrade, so I thought I would so a few a real world test. First let me say that simply copying, or viewing a file does NOT cause any degradation as people sometimes believe. If you copy and paste a file it’s simply a bit for bit cop. There’s no loss because nothing has been altered.

When you open, and then re-save a file is when things usually change. Even if you save at the highest quality JPEG settings you have still re-compressed that file when you save again. Unless or course your using an uncompressed file format to start with (TIFF for example). But even then there can be some quality loss version after version.

So how bad is a file damaged each time you successively save it. Well lets just say you should keep your originals. I’m not saying we can’t make revision copies (or file generations as I refer to them). But we should be aware. Below we’re going to look at the same image submitted to various torturous conditions and you can then judge for yourself.

These image are 700px. Click any image to see it at that resolution, or download all the images to compare them. Images that were opened and saved with “Save As” rather than “Save” commands are noted as such. If you want to join the discussion beyond comments here is the forum topic on this.

Original File
Original File.
open/save/close/100x
JPEG / Open / Save / Close / 100x -- Here I simply opened the file and saved it again 100 times. No pixel edits were done to the image, I just made a type layer and then deleted it so that PS would allow me to save. Apparently PS could tell that no pixels were edited and did not overwrite the unchanged pixels. Minimal or no degradation here.


open/edit/save/100x
JPEG / Open / Edit / Save / Close /100x -- To get results for actual pixel modifying edits, I opened the file, added 5 brightness, saved, & closed. Then opened again, reduced 5 brightness, saved, & closed. Total of 100 saves. We can see notable pixel degradation with this test.
bright/dark.100x/no-save
Brightness +5 / Brightness- 5 / 100x -- This is the same as above except that no save was made in between brighten 5, then darken 5. No loss in quality here. Just the brightness tool 100 times didn't hurt the image. It's seems saving really commits a lot of the degradation. But that's not to say that heavy edits gone too far can't effect image quality.
resize/revert/100x
Resize / Revert 100x -- Now admittedly most of us don't do this. But the test proved interesting. The 700px wide image was resized to 701, and then reverted to 700 . I did this 100 times. No save was done in between resizes. The huge quality loss is just from the resize and revert. Needless to say it's hard on an image to resize it much. On the other hand we may have discovered a new artistic effect 😉
open/save-as/close/100x
JPEG / Open / Save As / Close / 100x -- No edit done here. I just did a "Save As" 100 times at the highest JPEG quality. Results are pretty scary. 100 saves and the image is shot to pixels. Not we don't generally save that many times, but we can see that each save reduces quality a bit more on JPEG.
open/save-as/close/25x
JPEG / Open / Save As / Close / 25x -- No edit done here either. I just did the "Save As" same as above, but only 25 times. Even at 25 saves, the image is really bad.
open/save-as/close/100x/psd
PSD /Open / Save As / Close / 100x -- So it's clear that editing and re saving a JPEG is destructive. What about a PSD which is supposed to be lossless. I saved our orig JPEG as a PSD, then did the open, Save As, close, 100 times. Little file degradation here. Obviously PSD is makes a larger file, but because it does not compress like JPEG you maintain a lot more quality. If not all.
tiff/save-as/lzw/close/100x
Tiff / LZW / Save As / Close / 100x -- The TIFF fared well just like the PSD. I did the "Save As" command 100 times using Tiff LZW compression. Degradation was barley noticeable.

Conclusion.
It’s clear that saving in JPEG is destructive. Saving successive file generations is especially hard on image quality. Granted one or two saves won’t trash your image, but degradation increases with each save sequence. When working I try to get as few file version from the original RAW as possible. Then use layers as I edit to maintain original infomation as much as possiible.

First because the moment we leave the RAW we throw away information. It may not be file degradation, but a TIFF, PSD file is not the same as RAW and it has to convert the data. Second because the more generations and edits of a file we make the more potential for information loss. Though the lossless formats seem to have little loss from the saves themselves, they can still be effected by compounded edits.

The bottom line is that we should always keep the original file. If you have an image you expect to be working on and re-saving a lot of times, then make it a PSD or a Tiff and save your final edit from the that if you need a JPEG for web or print. Don’t do serious edits on JPEGs.

Just some things to consider. Have fun… Gav

Related Posts...

Photographic tone. It’s the least understood skill in photography that’s nearly been lost.

Photographic tone. It’s the least understood skill in photography that’s nearly been lost.

Photoshop Generative AI vs Free AI. Is this Photography and what’s next?

Photoshop Generative AI vs Free AI. Is this Photography and what’s next?

Low Dynamic Range and Why You need to start using LoFi Photography now!

Low Dynamic Range and Why You need to start using LoFi Photography now!

HDR Photography’s over-cooked promises lied. Here’s how to use HDR correctly!

HDR Photography’s over-cooked promises lied. Here’s how to use HDR correctly!

Tell me your thoughts....

Leave a Reply


Your email address will not be published. Required fields are marked

  1. Wow – those are some scary results! I’m glad I shoot in RAW and use LR and PS to avoid this kind of thing. Having said that would I really open and save a jpeg 100 times?

  2. It would also be interesting to see how the degradation evolved with the “save as…” and “resize” options. These were clearly the processes which generated the worst images, and if you had one picture which was “saved as” 10 times, one “saved as” 20 times, one “saved as” 30 times, etc. we could se if there was a critical point where an abrupt degradation ocurred or if the process degraded the picture linearly with only small changes from 10-fold to 10-fold “save as…” actions.

  3. Thanks for testing this and sharing this. I was most surprised by the resizing by 1 pixel image.

  4. Thank you very much for sharing the results of your interesting experiment! : ) This is THE most helpful article I have read so far regarding the “lossy” nature of the jpeg format. Question: When you open an image in Photoshop and then use “Save as” thereby creating a new and/or renamed version of the image, will the original image suffer a loss in quality as well or is it just the new and/or renamed version that suffers the loss?

    1. Thanks Anon. When you “Save As” and make a new file you are not changing the old one so it will not degrade from that. I use LR to manage and always keep my original untouched file to go back to should I need it.

      Gav

  5. It’s day 1 of 2013 and this very comprehensive experiment is still very much appreciated. The debate is still out there, in other photo forums, about how JPEG is a LOSSY file format to begin with. With every single save.. depending on which program you use to save it.

    JPEG was made for compression. It was made for small size hard drives and servers. It was made for webpages and browsers and Graphic User Interfaces. I don’t know why camera manufacturers insist on using JPEG… RAW, from the beginning, would have been much easier to work with Perhaps it’s the reason most of the manufacturers have allowed the use of RAW (although proprietary) in their semi-pro and pro lines.

    Your experiment is greatly appreciated. Thank You.

{"email":"Email address invalid","url":"Website address invalid","required":"Required field missing"}

About the Author

Glad you're here.

I'm from WA State USA and started studying photography in 97. I started work as a pro (using that word loosely because I sucked) using film at age 16. I learned fast but was not as easy to find training then. Sometimes I beat my head against the wall until I figured stuff out.

As digital dawned I went all in and got to study with masters like Ken Whitmire. In 09 I founded the Pro Photo Show podcast. I started promoting tone-focused editing. When Lightroom arrived, I started developing tools to make editing and workflow better.

20 years of study and photography around the country earned me a Master of Photography (M.Photog) from PPA. I got to see my workshops and tools featured in publications across the industry. Once I even won the prestigious HotOne award for my "EXposed" light and tone workshop.

Wanting something calmer, I moved to Mexico in 2017. It's a land of magical light. I'm here now exploring light and trying to master my weak areas. I make videos of that for my Youtube channel, sharing what I learn. I hope you'll stick around and be part of Light Hunters Tribe... Gavin

Gavin Seim

>