Warm memories, adventure and hints of times gone past. It took me awhile to finish this one because I liked it too much to do it quickly. This old store sits in the middle of the desert a few minutes walk from the Rio Grande, Mexico on the other side. Down the path a ten minute hike is the ruins of the old Hot Springs, self proclaimed healing waters that made this old resort an attraction.
Now it’s just a dusty path leading to the warm hot tub like foundation that still remains from the old bathhouse and is filled by naturally hot water. The whole family and I went down and we soaked together in the warm spring as a tiny Mexican village lumbered through the day across the river. There a lot of history in this old place and it’s memories are just a little haunting, especially when the tourists disappear for the day and the solitude of morning or evening take over the silent stones.
Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.
Released prints….
70 inch Master Original on Canvas – Limited edition of, 1 (contact the gallery)
46 inch Signature Canvas – Limited Edition of, 25 (contact the gallery)
Once upon a time there was a guy, his family, a bunch of cameras, a Super Camper and lots of passionate ideas. No sponsors. No backup team – Just the open road, a sense of adventure and three months to take full advantage of.
I’m Gavin Seim. We’re out to explore as we attempt to make images and film that do justice to the beauty America. There’s lots of projects on the menu so we can pay bills and keep gas in the tank. We live mostly by the seat of our pants and enjoy the ride.
On Feb 2nd 2013 we set out for the road trip of 2013 – It’s a tad intimidating but quite amazing. We don’t hang out in RV parks or campgrounds. Months on the road in the Super Camper with my wife Sondra and our kids, Cyrus (5) Ariana (3) and Asher (1). There’s new products to test, new images to make, new stories to tell. Last year the big project was the EXposed Light Workshop. This year we’re working on a brand new film called Photographics. By the way, you can learn more about our rig and tips on how we camp in this article.
With Facebook pages becoming less effective and the fact that I can’t send out the Light Letter every day, I wanted to share our journey with you in more detail than ever before. So rather than clutter up the journal with endless micro posts, I’ve decided to try something new – A Road Trip Journal.
This journal details our adventures by reverse date. The stuff you normally don’t see. The snapshots, clips, odd happenings and craziness. The things I’m sometimes reluctant to share, being such a perfectionist. That’s what you’ll find here. I hope you join in this adventure. Bookmark this page and come back because we’ll keep updating as long as we can still pound the keys. You can also join my Light Letter below for more updates and stories. Lets roll.
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FINAL UPDATE: What it’s Like Coming Home – Day 89-91 05/01/13 – 05/03/13
It’s bittersweet as I drive down the hill towards familiar grassy slopes and familiar cities on the map. We watch a Spring sunset and flowers spattering green hills. Three full months on the road we’ve been. An adventure of that won’t be forgotten. Yet a part of me feels somehow less for it coming to an end. Like my spirit of adventure is fading because I long for that slow hot shower, a bed where my toes do not hang over the edge and where my wonderful wife’s elbows do not hit me in the side every time she rolls over.
The last few days lacked the grand adventure you look for at the end of a long trip. The kids got a stomach bug and did what you do when you have that. Sometimes we had two going at once – The miles were long and we needed to get home soon for Wall Portrait Conference. We drove hard that final day. Perhaps longer than we’ve ever done. Over five hundred miles from Twin Idaho to Ephrata WA. It took us about twelve hours between breaks, gas and pauses to clean up the mess from sick kids in the back seat.
“What a lousy way to end such a grand adventure” I thought – But somewhere along the road I stepped into the sunlight and realized it was not. Sometimes we get sick, but it passes. Sometimes things go wrong, we have to make repairs, or we come in late. All of those things happened on this trip. More than once. But they’re part of the memories, part of the adventure. They’re surrounded by moments of laughs and wide eyes glistening at the wounder of creation.
The moment I pull in I’m starting a new vacation. We worked hard on this trip. We played hard. It was a gamble too, but our new film PHOTOGRAPHICS is already showing in the black and the trip is all but profitable both emotionally and fiscally. All that time on the road, but so happy to have a place to call home.
We walk in after 91 days on the road and switch on the lights. The house is still here, warm, waiting. Nearly as we left it but for a few extra cobwebs. A bed, a shower, a late night movie with my wife after the kids are finally asleep. We really are home. Next it’s time to process the film, repair the gear, make the prints and get organized.
On Sunday we’re off for a week again to learn and teach at Wall Portrait Conference. But really we’re home right now. It’s only a couple hours away and among people we know. That home feeling is back. It’s odd. Truly surreal to walk down the isle at the store and for once in so long see people you know. Get a hug from your mom when you walk thru a door, or see neighbors wave as you drive down the street. I honestly feel strange not being the stranger here. But that passes and fades into tales of the adventure and silent longing for more.
As the sun shines on our first day home, a breeze blowing, spring flowers popping out, I realize that the world is still alive and that both home and away are something grand. Appreciating your adventure is how you look at it. There’s nothing like a place to call home, but there’s also nothing like the open road, your wife riding shotgun and kids kicking the back of your seat as the road rolls by. This is living, all of it.
It’s no secret that I love to travel, to study and to hunt out ideas new and old that will make me a better image maker.
But months on the road are not free. And gas is certainly not. The hidden but sad truth is that my bill collectors do not put my bills on HOLD while I load up my entire family and spend months on the road traveling, studying, filming and making new images. So while each of my giant trips is fairly open in it’s destinations, I still plan. Last year by big project was the EXposed workshop. It was more work than I imagined, but it also came out better than I ever imagined
Here we are in 2013 and the time has come – In around a month we’ll hit the road again for about three months. For details on that visit the tours page. This years project is one I’m very excited about. One that takes on some of the harder to approach concepts of photography, like composition and over arching technique. But it does something more. As the adventures progress, this film explores history and looks for what we can learn from it to make our art better.
The truth is I don’t know exactly what I’m going to find our there. But I know it’s going to be interesting and I’m confident you’re going to like what you see. We’re gearing up and laying out plans now for what’s shaping up to be a bold project for a small fish like Seim Studios. But stay tuned. I think you’ll be pleasantly surprised.
You can get more details on PhotoGraphics here and join my newsletter below to get updates. See you on the open road.
I drove up that morning alone. My first time at Mammoth Hot Springs in Yellowstone National Park. My wounder and my sense of adventure on fire. I wandered as the sun rose higher, looking for a way to convey what I was seeing. The vast starkness of Mammoth is deceptively complex and easier to hike than to show on a the two dimensional image. It’s steam clouds and flowing mud made me wounder what it would feel like under my bare feet. But of course I stayed on the path, wondering at it’s starkness and looking for something in the glaring light to convey it’s unique beauty.
I made this image in 2010, over two years before I finished it. It spoke loudly and I knew it was what I needed – But not being quite as experienced at then pre-visualizing a scene, I suppose had to wait for my skill in the finished image to catch up. I just kept coming back. Considering how it should best be presented.
These days I generally plan an image in fine detail before I release the shutter. Visualizing works and once mastered it changes how you see. But that another story. Check out my EXposed workshop.
In the end, this gentle platinum showing the stoic drama of this barren copse of trees, still standing proud on it’s steaming mud flow. It was what I needed. This is their story. Finally finished.
Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.
Released prints….
36 inch Signature Canvas – Limited Edition of, 25 (contact the gallery)
Those of you that follow my work know that I love working with 4×5 large format film. I still use digital, but 4×5 scans blow it away in terms of detail for my wall prints. More about why I love film in this article.
Today, I made a “quick video” looking at how I prepare images for wet scanning using my Epson V700. The V700 is not sold as a wet scanner. Epson wants you to buy the V750 for that. But the truth is the scanners are the same in nearly every area other than the wet attachments. To top it off, the wet scan upgrade from BetterScanning is said to be better than the stock one that comes with the V750.
Why Wet? Think about your car when you’ve just washed it – When it’s wet the scratches are less visible and everything looks pretty and shiny. Wet scanning has a similar effect. The film is suspended in liquid, which helps reduces small dust and scratches. Furthermore it gives me optical clarity that is not impeded by the surface of the dry film. That produces a better contrast and more detail – There’s an interesting discussion on this topic here.
My process works well and the resulting images go into Lightroom and Photoshop for final details. I have had drum scans done and plan to use them, in time, for VERY large prints in the 100 inch plus range. In my experience a good drum scan (which can easily cost over $100) is better than my Epson wet scans but probably by only 10-15%, so unless I am making a giant print it’s not an issue, even for a quality fanatic like me.
Other Tools: I use Silver Fast scanning software instead of the default Epson software most of the time. In general I find it’s very powerful. Silver Fast support is a bit lacking, but it’s a bit like a Photoshop for scanning and gives lots of control. That said you can get great wet scans with the default software. I use Kami fluid to mount with. It works well and goes a long way. Here’s the rubber roller and I like Purosol and Kimwipes for keeping all my glass clean. I use Duralar sheets to sandwich the negative between fluid and glass. A DataVac is good for serious air and these awesome craft tweezers make picking up the film a snap.
Film is not easy. But it’s coming back because it’s very rewarding and results in stunning, unique images loaded with detail, especially from the larger formats. Here’s a couple recent images I did on 4×5. Of course if you come to my gallery sometime, you’ll be able see the detail in all it’s glory – Enjoy, Gav