July 9, 2011

The profile interface on 500px.com. Really nice and clean.

See update to review below original article…

by Gavin Seim. So I’m pretty jaded to photo sharing sites. They all seem about the same. But 500px.com has caught my eye. I just setup a profile and here’s what it looks like… http://500px.com/gavinseim

500px is a photo sharing/portfolio/social network site all rolled into one. It’s not exactly the same as other photo sites, but it’s compelling. One, because it’s clean. The opposite of Flickr and many others. But the main feature to me was the rating system. People can like and  dislike images and that controls how they rank on the site. Finally, a site that based recognition on how good your image is, rather than how many groups you add it to. Could there be problems with a rating system? Maybe, but it seems they’ve designed it pretty well, with vote effect varying by age of the image, how many previous votes etc. At least they have one.

Not that other similar sites are bad, but as a Flickr user I’ve become tired. It’s filled with clutter, never really improves, and the interaction is way down. FB is great for reaching out to the masses and having a presence, but in truth it’s pretty lousy for presenting art. 500px is a little like a portfolio and a ongoing photo competition all in one. The challenge is ON.

Now my main space is my own website, but social sites like this can be a great way to interact and gain new eyeballs. 500px even allows users to sell images, and make a nice website. Both are things I’d rather do on my site for now, but these are cool tools for someone looking to make a clean simple space on the web.

500px definitely looks interesting. I plan to take a break from Flickr for awhile and see what I think. There’s a free and a paid membership and even the free version seems fairly feature rich. Not that it’s perfect. 500px lacks a lot of the exploring features, maps and beyond that we may be used to on other sites. But bear in mind it’s a newer project. Hopefully they can keep the features rolling out and not mess it up while doing so.

So go join for free and post a few of your best. And you’re welcome to follow me too… http://500px.com/gavinseim

UPDATE, 07/18. A deeper look.

Here’s an update on 500px, including the negatives I’ve discovered, as I’ve hung out on the site over the past week.

First, it’s the rating system that makes 500px look good. Just like any other photo site, there’s lots of poor quality photos being posted. You simply don’t see them because they don’t rank. Fair enough. It keeps to quality stuff on top which is a good things. The site is pretty much a ongoing photo contest where the prize, if you win, is a pat of the back from your peers. This can be very satisfying. Though it’s easy to get overly consumed with your latest scores and spend the day refreshing your page in anxious desire.

However! To filter up high to the top you need a LOT of likes. In principal the system is great, but there seems to be a ripple effect. It seems that someone who gets a high ranked photo or two (particularly early adopters) have gotten a lot of attention and a lot of followers. At that point they will tend to get more likes by simple nature of the fact that anything they post gets so many eyeballs right out of the gate. For the rest of users, it looks like most images will get a few views and then sit. Even if they’re really great.

Next is the comments. They feel good, but there’s very little critique. I get the sense that many comments are made in hopes of making a new connections. Not a terrible thing, and it happens everywhere. But it means comments are usually simple praise rather than thought out feedback. The other issue is the fear of negative comments. There’s a “dislike” button on images. This could be a good thing, but I’m not sure it’s needed and I think people may be refraining from constructive criticism, in fear that the receivers of such comments could dislike their own images in retaliation because they didn’t like what was said. It may be silly, but it will happen.

Also the site is filled with nudes. They tend to rank high (no surprise). Now I’m not saying they should not allow such content. Only that some users are uncomfortable with it. While those users can check a box to hide these images, they still show as image tiles that say NUDE CONTENT in glaring letters. Most the people that for whatever reason don’t want to see nudes, want them totally gone. 500px should be allowed simply be able to turn it completely off in their settings and not see anything related to it.

Lastly, the sad part is that no matter how much attention an image gets, it loses score. This seems like a real dower. The 1-100 Scores fade in time using an algorithm and that allows fresh images sift up (not sure how far down a score will go). In a way this algorithm makes sense. Problem is it’s frustrating to lose your rank for any reason and I think this will be a negative for everyone. You can have the top image on the site scored at 96, but soon it will drop and ranked with images that are just so so as if it never happened. This could be easily corrected by having each image marked with a banner of highest score achieved, sort of trophy that represented how well it did. But alas I see so such feature.

So that’s some thoughts after a bit of use. Not all bad, but not all good. I’ve tried tweeting a few suggestions to the folks at 500PX, but sadly they seem to ignore them. We’ll see going forward had they fare. 500px is cool, but I get the sense that the glow is going to fade quickly if they don’t find a way to keep people excited once they realize that their image is not likely to ever reach the top unless they have a large following.

We’ll see what happens. Don’t get me wrong, I still like 500px. But they have a short window. If they don’t listen to users and keep improving, they won’t get attention for long. Your thoughts are welcome on the comments… Gav

Read More

June 28, 2011

Click To Listen>> Photography Podcast. PPS #78
Direct Podcast FeedReview in iTunesVote on Podcast Alley

Today’s Panel... Gavin Seim (G Pixel)Denns Zerwas (Z Power) – Kerry Garrson (MR K) – Barry Howel (B Groover) – Jarrod Michael (J Roller)

On this roundtable we talks about a little news, but mostly segway into business discussions. Then we look at data and file management and some great picks.

 

Podcast #78 forum discussion:

Notable Time Indexes:

  • 00:00 Introductions
  • 03:30 Cost of things.
  • 13:45 Pentax 645 & formats and what matters.
  • 41:00 The middle break.
  • 51:15 Data, backup, management
  • 1:21:50 Picks & stuff.

Links to things we mentioned.

Gavin’s online Workshops coming this April.

Rosewill 8 drive bay. Gavin bought for mass archive storage.

Phil Sugarman tapes.

645D medium format digital.

Backblaze online backup.

Pogo plug remote access.

Read More

May 27, 2011

Click To Listen>> Photography Podcast. PPS #77
Review in iTunesVote on Podcast AlleyDirect Podcast Feed

Today’s Host... Gavin Seim

On this shorter episode Gavin takes a look at what he learned with another month on the road. A discussion of 4×5 film, a look at learning and working conceptually, and a little practice session on evil laughs.

140 minutes of night. Gavin's longest ever exposure. Click the image to see Gavin's post with all the details.

Podcast #77 forum discussion:

Notable Time Indexes:

  • 00:00 Introductions quick updates.
  • 04:09 Experiences from a month on the road.
  • 12:32 Random interesting video and things.
  • 16:27 A month long trip with 4×5 film.
  • 26:05 Lightroom Power online workshops.
  • 28:00 Main – The Concept Photographer.
  • 45:05. The after show. Picks and stuff.

 

Links to things we mentioned.

Gavin’s Online LR Workshops.

Lightflow Aperture Presets are now available.

Video. Battle At F-Stop Ridge. Can you say, Awesome.

Good reads on using Zone System for digital. One by M Frye…. http://bit.ly/me3SjA and a thesis by Gary Meek…. http://bit.ly/lrTfYO

Color images before there was color, by Prokudin Gorskii.

Ansel Adams videos.

PICKS:
Rothco 550lb. Type III Paracord.

Gavin’s favorite travel apps list is here.


 

Read More

May 27, 2011

It’s time to Raise the Bar. There’s not a lot of “photographers”. There’s just loads of people with Facebook pages who charge for snapshots.

  • Webster says a Photographer is…
    One who practices photography; especially: one who makes a business of taking photographs.
  • Webster also says that Practice is…
    2a : to perform or work at repeatedly so as to become proficient <practice the act>.
  • Webster says that proficient is…
    Well advanced in an art, occupation, or branch of knowledge.

by Gavin Seim: This is not another one of those posts about when you become a pro. Nor is it a post to be mean. The opposite in fact, so read it through if you want the whole concept. I pose this question to get us thinking. Are you really a photographer?

If you want to be an Athlete you train tirelessly. If you want to be a doctor you have to study and then study even more. If you want to be an airline pilot, it takes years. If you want to be a “photographer” it takes all those things as well. Though many seem to ignore that part.

Sometimes I avoid calling myself a photographer these days because the word is so abused. In a few years I think consumers will really start to notice. The digital high will settle and they’ll realize they’re being shammed. Like a doctor, who you find out knows nothing about healing.

I know, we could say “I’m practicing to become proficient” and that makes me a photographer. OK, but that’s not really how it works out there. In other skills, it’s pretty much assumed you’re skilled if you say you’re a…. doctor, lawyer, mechanic, carpenter, baseball player, etc.

In the real world, “practicing to be proficient” also means you’re training. And that doesn’t mean making up your own rules and calling it your style. It means continually exercising your skill to become even more skilled. You don’t just become something because you bought the gear, and you don’t stay proficient without continued practice of your craft.

Now titles don’t make the man (or woman) and there are certainly different skill levels. But I submit that unless you’re reasonably advanced in the art and craft of making photographs, you’re not yet a Photographer. You’re just a snapshooter who’s aspiring. That’s OK, and maybe you even get paid for it at times. But be honest. Be who you are and you’ll learn much faster than faking your way along.

What am I getting at? Chiefly this. The word photographer has been deluded. It seems everybody and his brother (and probably his mother too) gets a camera, makes a crappy website, gets a Facebook page, then calls themselves a photographer and charges people for the snapshots they make which require almost no skill. In so doing they to  a disservice to themselves and the client.

I know my headline is a bit bold. I wanted to get your attention. Also my bluntness may offend some because I’m saying something many don’t want to hear. But let me be clear. I’m NOT saying because you’re new you should pack up and go home. But you should understand how much training it takes to be a photographer. The purpose of this post is to make people feel like losers. It’s to look at ourselves and be honest in our assessment. Because if you want to be taken seriously, you need to be a skilled craftsman.

If you hammer in a nail does that make you you “a builder”? If you remove a sliver with a pen knife are you “a surgeon”? If you get a camera are you “a photographer”? I say no. You are not yet a practitioner of the craft that is photography. That takes time. A lot of it, and the standard is higher than ever if you really want to stand out. I even see long time pro’s who are not making the grade. They’re not “practicing” their craft. They’ve become slack, thinking they’re “good enough”.

I’m twenty six and I don’t mean to sound grumpy or bitter. I’m not. I started from nothing and I enjoy helping aspiring photographers. But it seems everyone wants the easy road. No one wants to spend the years of effort it takes to become a craftsman. Maybe I was the same way starting out. But it didn’t work. People think that because they bought a camera and tripped over a few good scenes they’re an artist. Which is why they’re not.

Everyone is making snapshots and even a few good photos. That’s fine, but it’s not rare, it’s not unique and it’s not valued much by society. Millions are made every day and billions will be lost to history as nothing more than trash. You’re friends on Facebook may be supportive and say how great and talented you are. I know that feels good. But I ask again. Do you really know your craft? Are you images following a standard of quality that is far above the snapshooter.

Now if you want to make a living, the business side is a whole different discussion. Photography may be one of the hardest professions to make it in these days and that’s when we come to marketing centric workshops and events like the Wall Portrait Conference. Discussion for another day, but if a paycheck is your goal, along with all this learning you should also be studying business. Become a master at both and you’ll really have something. And if you just want to make photos because you love photography. That’s OK too.

Being a Photographer?

  • You have to spend years. It’s taken me fourteen & I think I’m a photographer, but I still have a lot to learn.
  • Go learn. Yes it will cost you real money. Be it a school or weekend workshops. Do it.
  • Perfection is needed. Because good is everywhere. You need to be better than good.
  • A photographer is trained. Just like a baseball player, a doctor, a rocket scientist.
  • The bar has been raised. Now that everyone takes photos, you have to be a master.

So, if after all this you can say you’re a trained expert. If you’re work stands above to the masses and shines. If you understand the mechanics as well as the art of making a great photograph. And if you can prove it. Then I say you are a photographer. If you can’t, then be honest and say you’re aspiring or an apprentice. That’s OK for now. In fact you’ll probably feel a lot better being honest with yourself and you’ll learn faster.

Not to all of us of all skill levels. Get out there and practice. Lets keep learning and raise the bar on quality. Good luck… Gavin.

Updated 05/06/11.

Read More

May 9, 2011

by Gavin Seim: My family and I have been on the road for about three weeks now as I teach workshops and hunt pictorials. Last fall we spent a month and a half. We love to travel and aside from all my gear, I have a plethora of resources that we rely on to make our travels safer, cheaper and a more enjoyable.

I’ve decided to stat a list of my favorites. Besides the essential Google Maps, I find these to be great tools and use most of them even when I’m not out for a long trip. You’re welcome to add your favs in the comments. I’ll also come back and update this or re-post in in the future as I find new stuff.

If you want to follow my photography travels and see where I’ve been, you can do so on my journal, or get frequent updates on my Facebook page. Lets get started…

Our Shamrock 21ss camped near Bryce Canyon Utah. Spring 2011.

All Stays Camp & RV. For Apple and Android.

This $6 app is worth every penny and more. It’s paid for itself countless times in saving money camping, time traveling, and preventing headaches. It’s a must have for campers.

It lists  pretty much anything a camper or RV’er might want. From truck stops to campgrounds, to wall mar parking lots. It’s not perfect and something it misses things but it’s data base is huge and no matter where you are it will usually give you options.

This is my favorite, but All Stays has various other apps that you may find useful. iExit for example shows what’s coming up and the next exit. Check out their website for their offerings.

 

GeoTag Photos Pro. For Apple and Android.

This is a cheap way to get location info into your photos. Make sure you camera and phone time is the same. Turn on this app and start recording. When you get home upload the data and login to there website to A. Use their web app to merge dates into your RAW or JPEG files. or B. Download a GPX file and use it with a LR plugin like JF Geoencoding Support.

Read More