Blue Suede Dunes – Sunset at White Sands New Mexico, 2012
Just after sunset these rolling dunes take on a subtle cast. Like an ocean of sand dancing in with a tides. Subtle shadows and perfectly arcing curves sweeping in waves across the landscape for miles into the distance.
White Sands is a rather remarkable place. Not only for it’s giant dunes that seem by themselves in the desert, but for the way it plays with light, the way you can take the kids and sled down it’s swooping slopes, the way it’s like standing in summer snow in the heat of the day.
It was a memorable visit all around and I’m thankful I was able to make a memorable image. It should be stunning on canvas.
Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.. Learn about Limited Edition values here.
Released prints….
53 inch Master Original on Canvas – Limited edition of, 1 (contact the gallery)
40 inch Signature Canvas – Limited Edition of, 40 (contact the gallery)
36 inch Signature Metal – Limited Edition of, 60 (contact the gallery)
A study image only. Canon 5D MK2, 50mm 1.4 @f5.6, 1 hour, ISO160. Bright rock light from the moonlight
An image study for photographers.
Star trails, turning night to day, midnight landscapes. There is amazing image potential for the photographer willing to do their homework and pre-plan setups to take those grand steps into the dark of night.
This photo is lacking. What it shows me is not. I was in the New Mexico highlands. The sun has long set and the light is only from moon and stars in this one hour long exposure. This image is not fully up to my standards and hence may never make it into my Signature Collection. That said there’s something to be learned from it.
I’m trying to develop some baselines and ideas for working what I call ULE’s (Ultra Long Exposures) and I wanted to share some of those here. This image represents the first time I used “only” past experience to determine exposure time, running a single one hour exposure at 5.6, ISO160.
The Skinny Kid by Gavin Seim. Joshua Tree NP, Feb 2012
The family and I camped down on the flatland’s and took a nice drive into Joshua Tree that day. It was warm, but got cooler in the highlands and the choice to wear shorts turned out less than ideal. So the family was back in the car warming up after hiking and I ventured out near Skull Rock, finding this skinny little Joshua Tree standing alone, everyone ignoring it’s simplicity.
The Skinny Kid grew on me and soon I was experimenting with angles and ideas for how to best showcase what he had to offer. In the end this simple black and white scene struck me. A starkness of line. A cast shadow showing that his reach extends beyond his size. This tree has a perfect vantage. He gets to watch over this rocky landscape without distraction and reign as King of it’s trees.
Release details: Prints available. Contact the gallery. Learn more about prices. Available prints…
Today Gavin leads us through a brief look at photographic history. He talks a bit about how classical art can help us as photographers and finishes with a look at essential concepts that will make us better at our work.
46x34, Portrait of Nicolas Ruts. Rembrandt, 1631. It seems that even 300+ years ago, a wall portrait was a thing of note. Look at the quality of this work. Click for a larger version. Even the catch lights look perfect.
A portrait of Gavin and his family by Ken Whitmire. Made while they were camped out for Wall Portrait Conference 2012. It hangs as a sixty inch print on canvas in Gavin’s living room.
There’s nothing like miles of open road and your beautiful wife riding shotgun. Like giggling kids in the back seat with camera bags and cracker crumbs. Like the warm wind that whips in the window and tosses your hair. There’s nothing like the feeling of adventure and uncertainly. Of going somewhere you’ve never been before, tasting nature on the air, and doing something that, just maybe, no one else has ever done before…
A photographer and family road tripping across the USA? No easy task, but it teaches you a lot. About versatility, family, and of course, photography. In fact, many of my most advanced techniques and studies come from the zero deadline environment of road tripping.
In 2011, we spent around 3 months on the road. In 2012, we’re spending nearly that just for our Winter tour and probably 4-5 months in total. To be clear, we’re not just heading to snowbird hideaways and hunkering down. We travel, thousands upon thousands of miles, exploring the US and all it has to offer an American Pictorialist seeking the very best views in the world.
How It Works:
The long trips start months in advance: planning the direction of travel, lining up workshops or events to help pay the hefty gas bill. We’ll be up around three thousand dollars just for fuel for our Winter tour. That part can be a real burden, and it really makes you think about what’s happened to costs and the economy in this country. But let’s not get into that just now; I’m having fun here.
Next, I work like crazy around the studio in preparation. That also involves making sure sessions are scheduled for our return or out the door before we leave. I run a low volume studio that focuses on high end wall portraits, so I can be flexible regarding when and how I organize sessions, but it still takes planning. I don’t want to lose too much business. I make sure the house is sewn up, too, and try to leave things tidy. We make sure the maintenance and latest upgrades are done on the Super Camper. Back at the studio, I tie up all the loose ends, put out a sign that says, back in three months, turn ON the print spotlights, and lock the doors.
Here’s an inside look at The Super Camper. A few upgrades have been added since this, but you’ll get the idea.
Snapshot of the the crew hiking in White Sands New Mexico, March 2012.
Time To Roll: The wife and I load up everything we can fit, including the our three kids, and off we go To The Wild. The main thing that gets us out there is the Super Camper. It’s a 2011 Forest River 21SS that’s been tricked out as a boondocking machine. Still, It cost $20,000 brand new and we’ve probably only put another 5k into it. It’s pulled with our 2001 GMC 2500 Crew Cab 4×4 running a Duramax diesel. For those interested, this little trailer and all the upgrades we’ve installed run up to about $25k. No chump change, but not so much considering what we can do with it.
