September 22, 2012

by Gavin Seim (rev 03/14): I’m seeing so many bad photos posted as professional these days. People are trusting us with their time, dignity and money as they are photographed looking awkward, uncomfortable and often downright foolish. I am genuinely embarrassed. Not only for my industry, but for people and their families. They look ridiculous.

I’ve realized why these poor images are often even worse than snapshots: A snapshot is not pretending to be something artistic, creative, or edgy. It’s role is simply to be a memory, and it fulfills that role quite well.

I post this to remind those with experience to make sure we’re offering quality to our our clients. We are supposed to produce art they will want to keep, but I see and endless stream of bad images. Sometimes so-called professional images are so bad that a child could do better. People are pointing cameras and thinking they will do the work for them.

We cannot simply pull ideas for posing, lighting and composition out of thin air, with no aesthetic understanding of our subject. That is like builders throwing hammers at a pile of wood and expecting a mansion to appear. I see mothers who look fat, babies who look like Oompa Loompas, kids who look angry and dads who look like slobs because someone who was poor at their craft propped them up like badly drawn cartoon characters.

I love helping people learn. I’m not posting this to be hurtful, just to be real. It’s important that we’re honest with ourselves and clients. A doctor does not open their practice until they’re trained. A carpenter that opens a home improvement business without knowing how to improve homes is doomed to failure. Digital has not made great photography easier. It’s only made taking pictures easier.

These days it’s not easy, no matter how much experience you have. But some the best advice I can give to people starting out is don’t become a professional photographer until you are professional level. Having that camera means nothing. I’m not defining exactly when you become experienced enough. For most of us, it takes years, just like it does to become a doctor, a carpenter or just about anything else. You learn the basics first. Then it becomes your job and you keep learning.

This applies to all fields. A person should not be in business until they can make the product they claim they can. They should not have a website with prices offering services they are not qualified to give. They should not claim the title of those who spend years and decades mastering a craft, when they have no experience in that craft. There are different levels of professionalism and we don’t need to be perfect to go pro. But we do need to actually be photographers before we call ourselves photographers. We need to know the fundamentals of how to make quality images of whatever our subject might be.

If you don’t know the difference between f16, ISO800 or 1/160th, if have no idea how to light a 3:1 ratio or how to key strobes for a blue sky at noon, if you don’t know how to make your subject sharp enough for a thirty inch print, how to pose a woman so she feels beautiful and a man so he feels strong, if you don’t know what to do with the clutter in the background or how to compensate your exposure value, chances are you’re not ready to be a photographer professionally – There’s nothing wrong with that. There’s nothing wrong with snapshots. There’s nothing wrong with being an amateur. You’re learning and that’s just fine. Keep at it. If you want to call yourself a photographer, take the time to learn how first.

You don’t start as a photographer. You start learning to become one – Gavin Seim

Further Reading…

 

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September 7, 2012

by Gavin Seim: Adobe recently had a travel photo contest. The prize, a trip to Thailand with legendary photographer Steve McCurry. Yea, the guy who photographed Afghan Girl.

Matt Hardy once said – “Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.”

Adobe counted +Likes and gathered a panel of official judges to choose. The winner… this photo. You can see it larger here on Adobe’s page. There were many other entries, but this was chosen as the grand prize. I feel this is hurtful. Not only to the entrant, for it teaches them that quality does not matter. But to those who worked hard to enter quality work. It’s better to be honest with those that are learning, than to ignore a lack in quality. I would rather be improved by honest criticism than ruined by false praise.

How does the world’s largest professional photography software developer and it’s judges not know the difference between a photograph and a snapshot. As someone who has worked for fifteen years to understand photographics and light, I for one am not jealous; I am insulted and embarrassed.

For the record I did not enter this competition.  And the point here is not to insult the winner. I’m sure they will enjoy and learn from this trip. The point is that people need to understand a camera does not make you a photographer. People worked hard and entered quality work To award photo in this manner seems an insult to their efforts.

What’s Wrong With It:

Quite nearly everything. As a vacation snapshot, it’s perhaps acceptable. There is nothing wrong with a family snapshot. But we need to understand the difference between a snapshot and a photograph. This image won an international level competition. At that point it must be critiqued as such and compared to other entrants.

Great photos can be subjective. But that does not mean we ignore what makes them great. This photo has no subject, breaking the cardinal rule of a great image. A great photo has a subject. Usually just one. All other elements should be supporting cast. Is the subject little girl? The half cut off body taking the photo? Perhaps it’s the Oriental Pearl Tower, crooked in the frame. If we have to ask, the image has already failed.

When examined (something I have done over and over again) the picture feels of phone snap quality. It’s filled with artifacts and problems. The exposure is flat and dark and the sky is plain and boring. As journalism it lacks interest and as a street photo it lacks expression and spontaneity. Finally it fails at what is perhaps the hardest thing to put into words. It’s uninteresting and it does not tell a story.

Ansel Adams once said – “The sheer ease with which we can produce a superficial image often leads to creative disaster.”

While I don’t generally call out bad photos directly, I think this needs to be thought about. Everyone has cameras, but if in doing so, everyone becomes photographers, then the word photography no longer has meaning.

If we hold zero standards to the quality of art and use “art is subjective” as an excuse for everything, than the word art has no value – By calling everything art, by making everything great, we demean those who through effort and practice have mastered their skill.

NOTE: This is a news commentary. You are welcome to disagree and for obvious reasons I did not include the winners name. It’s not meant to be mean, but to raise awareness and get us thinking about quality and understanding the diffidence between a photo and a snapshot.

UPDATED: When this post was first made I had thought that looked like a phone photo. It is not. While the camera used makes little difference, some felt this should be disclosed. I have refined the post a bit to reflect this and things related to the ideas presented here.

So now that I’ve stirred the pot. Let the discussion begin.

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August 18, 2012

Click To Listen>> Photography Podcast. PPS #86
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Today’s Panel... Gavin SeimBarry HowellDennis Zerwas Joseph Linaschke

This month we get back to basics. Discuss light, working with it and even have a few healthy debates as we look at how we all make images differently.

Brought to you by the EXposed workshop.
Check out the trailer – exposedworkshop.com

PPS #86 Forum Discussions. Share Your Opinions.

Main Time Indexes:

  • 00:00 Introductions.
  • 03:10 News. EOS M and More.
  • 21:30 Getting Back to our Roots. Film.
  • 39:15 Back to Basics. One Camera.
  • 46:30 What You Think When You Make An Image.
  • 1:09:30 What’s The Most Satisfying.
  • 1:24:00 Techniques For Light.
  • (1:24:40 Gavin Yodels)
  • 1:34:10 Picks and Stuff.
  • 1:54:30. More thoughts. Creative Cloud, Aperture etc.
  • 2:04:08 The After Show. Business and beyond.
  • 2:04:33. After Show

Links…

Creative Suite CS6.

Canon EOS M

Will epic images of the Colorado fires will go down in history.

Canon recalls 68,000 T4i’s.

MK2 lenses lenses falling off post.

Video, light panels.

PICKS…

Steve Jobs lost interview.

Adobe Creative Cloud.

“my life is so bright I don’t need a lighted toiled seat”. DZ
“The best image of any session, is the one the client loves the most” Barry Howel

 

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August 15, 2012

It seems the months of work were worth it. It’s finished and the new EXPosed series is  now available as a download or a DVD. It’s like no workshop you’ve seen and it can take your photography to a whole new level. But rather than listen to us chatter on, just take a peek at the trailer. EXposed is as good as it looks and it’s finally available. Don’t forget to use code PPS when you pick up your copy. It will save you 15%.

EXposed – The Light Workshop

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August 13, 2012

New download /DVD workshop takes photographers on a cinematic journey across America and passionately teaches how to see and photograph light like never before.

Soap Lake, WA (August 14, 2012) – Seim Effects Photo Tools announces today the release of the new workshop by award-winning photographer Gavin Seim – EXposed, a film about seeing and photographing light. Produced over months, while traveling across America. EXposed documents experience and techniques inspired by the masters and refined for the digital age.

DOWNLOAD PRESS KIT
Includes full release, image samples and review information.

EXposed teaches photographers how to not only photograph light, but how to truly see it. EXposed is an informative entertaining 4-hour journey following Gavin as he travels around the United States of America with a Camper and a passion for light, hunting perfection and showcasing the importance of understanding the quality, range and tones of light and its impact on our photography. Gavin has compiled 15 years of study into what has become a simple and breathtaking study of light.

Weddings, Portraits, Landscape, Digital, Film. It doesn’t matter. EXposed is not a workshop about the latest fads or gadgets. It’s a workshop about light. Because that’s what really counts. EXposed is a cinematic journey that will teach photographers how to make better exposures. A completely unique workshop about exposure, light, the power of the Zone System, dynamic range and perfect tone control.

“My heart went into creating this workshop and I can’t express how proud I am of the outcome. With all the discussions in photography today, it’s surprising how little we talk about the art and science of exposure and proper tone control,” said Gavin Seim, photographer and owner of Seim Effects. “Making great photographs involves more than just clicking, buying new software, or pushing buttons. It’s something that goes deeper and mastering it requires practice and understanding of light and tone in subtle ways.”

Through 4 hours of educational materials about using light contained in 14 organized chapters that photographers can view and review at their own pace, EXposed teaches:

  • Core concepts to understanding exposure
  • Using the Zone System
  • Visualizing: Really seeing light
  • Dynamic Range and what it means for every image
  • Long Exposure and the secrets to hidden beauty
  • Finishing images, Burning, Dodging
  • Metering and tone placement
  • Seeing and directing light
  • Ratios and lighting tools

EXposed is available now. And until August 31, 2012 the instant HD digital download price is just $89 (a $10 discount) and the DVD plus instant digital download price is just $99 (a $20 discount). For more information and the trailer please visit:  www.exposedworkshop.com.

About Seim Effects Photo Tools
Gavin Seim, owner of Seim Effects Photo Tools, is an internationally recognized photographer, renowned for his experience with creative workflow, the digital darkroom and time tested techniques. He has a passion for creating easy-to-use software tools and educating photographers of all skill levels to be more efficient, creative and profitable.

Gavin Seim’s software presets for Lightroom include the new Silver Shadows 2, Power Workflow 3, and Color Fantasies. His Photoshop tools include Hollywood Effects 2, Creative Essentials, and Naked Elements. Also available is LightFlow, a powerful Aperture Presets collection.

For more information on Seim Effects Photo Tools visit:  https://seimeffects.com

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Note: Press materials and image samples can be downloaded from the Seim Effects website:  https://seimeffects.com/press . For editorial review copies please contact: effects@seimstudios.com

Contact:

Gavin Seim or Nathan Seim
Seim Studios LLC.
PH: 509-754-5255, Email: effects@seimstudios.com

Steve Rosenbaum or Leigh Nofi
S.I.R. Marketing Communications, Inc.
PH: 631-757-5665, Email: sir@sironline.com, leighnofi@sironline.com

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