October 8, 2013

0

beauty, f164, journal, musings, Nature, travel, video

Day 25 – The Great Fall PHOTOGRAPHICS Road Trip Diary.

We are on the road for a month of Fall color. Not as long as the great 3 month winter tour, but no less epic for that. This time it’s yours truly Gavin Seim, my wife Sondra, our 3 kids, my brother and co-producer Nathan and his wife Allie. Yea, that means two cars and a lot of gas to pay for. So this trip has to be really good.

We’re filming the new PHOTOGRAPHICS Miniseries, making new pictorials and Super Camping around the west. (FYI you can check out our camping resource guide here). We’ve got 4×5 film, a cinema camera and the open road. We’ll bring you the play by play right here. You can also check out our travel map. Bring it on! Gav

Day 17-25 – Epic Hiking, Climbing Rock, and Death Camp

We’ve been on the move. Some very nice days in Utah. We were up as high as Ten Thousand feet near Cedar Breaks and down to Zion and one of the most amazing campsites ever. I finally got an image that did our secret view justice. Stay tuned for that. Nathan and I even hiked the Subway. 8 miles of grueling labor but the stunning scenery was more than an ample reward. The goods and footage are coming soon from that effort.

Nest we headed down through Vegas. We stayed most of the next day, but we didn’t touch the slots. We ran errands and did some rock climbing with a guy we met while looking around REI. It was really cool and we geared up a bit so we can climb on our own.

Next up was Death Valley. We camped on the ruins of an old trailer park on some BLM land just outside the park. Since it was so close we affectionately called it death camp. Desolation abounds, but so do interesting things. We spent a couple days there and now we’re moving on to Yosemite as we come into the final week on the road. Photographics is coming out beautifully and I have a selection of grand images that will make this trip well worth the effort.

Sondra Seim and kids
Sondra and the kids with me at sunset in Death valley. It’s a desolate place, but there is much beauty here.
We went climbing with an off duty promoted we met at REI. That promoted us to go out and buy some gear of out own. Good times.
We went climbing with an off duty Policeman we met at REI. That prompted us to go out and buy some gear of our own. Good times.
Zion hike, subway
Nathan rolling some stunning footage during a long hike. What a beautiful area.
Gavin Seim Shoes Tree
The shoe tree along US 50 in Utah. Apparently it’s a thing.
Gavin Seim truck
The great new sign on the tailgate. Just so people know who we are. 😉
Cedar Breaks Camping
Camped at 10,500 ft near Cedar Breaks. Neat area, but it was a bit cooler.

Day 8-16 The Wild Wandering Color: It’s been a good week. We’ve moved from Idaho, to Utah, to Nevada and Back to Utah. The color has been soothing to the busy mind and the filming we’ve been able to do in these locations is nothing short of stunning. We’ve pulled hours of footage in some of the most beautiful places on earth.

We’re catching up on email and supplies and then we’ll head into Cedar Breaks for some new views. After that, off to Zion, then down through Vegas to swing up to Death Valley and Yosemite NP. We’re about halfway through and the results are looking good.

here's a fun outtake from the filming we were doing up in the hills. Sometimes you can't help yourself.
Here’s a fun outtake from the filming we were doing up in the hills. Sometimes you can’t help yourself. You can pre-order the film here.
The secret is for the parent not to enter a situation whereby the children can see the playground from the car window. Once this happens the parent has few options for escape.
The secret is for the parent not to enter a situation whereby the children can see the playground from the car window. Once this happens the parent has few options for escape.
Nathan working hard as we film up on the Nebo loop.
Nathan working hard as we film up on the Nebo loop.
We found wild Ephedra Viridis which makes a great tea. The kids were having a blast.
We found wild Ephedra Viridis which makes a great tea. The kids were having a blast.

 

A free camp up in Great Basin National park. A little hidden gem in Nevada that's quite stunning.
A free camp up in Great Basin National park. A little hidden gem in Nevada that’s quite stunning.

 

Day 6 – 8. Braking Bad: We we made it down into Utah and camped at a favorite spot up by Ogden. You can see it on the maps.

Then we headed down to Salt lake area. Now along the way I realized that something as seriously wrong with the brakes on the camper. It was barely grabbing and that’s not a good feeling on those steep Utah hills. We parked at the Cabelas lot in Lehi and tore into them.

It’s taken us a few days of running for parts, but being in a big city helped. It was shot, drums scoured, magnets worn to wire. We totally replaced the entire brake system on all 4 tires and should be ready to roll in the morning with beautiful grippy brakes.

While in town I picked up some other parts for the Super Camper and ran some errands, including a trip to Picture Line in Salt Lake where I dropped them a copy of the EXposed workshop to consider carrying in the store.

We also just released a brand new image from Idaho. Check it out. Tomorrow we move on and see what the open road brings.

Side 1 torn down. It's not as hard as it look. Replaced the entire system for about $400. We're talking backing plates, drums and all.
Side 1 torn down. It’s not as hard as it look. Replaced the entire system for about $400. We’re talking backing plates, drums and all.

Day 2-5 – It’s been a great ride already. We covered a good deal of miles and made it into far Idaho (from where I live, that’s SE Idaho). We’ll head down into Utah soon. We have two vehicles in our little caravan and we have been roaming all over. We left the interstate and found some Fall color in the Idaho highlands. We went up to Craters of The Moon monument and the stunning desolation that was there. Gavin even nearly got arrested in an encounter where he filmed a traffic stop and would not back down. It actually got a lot of news coverage. Some agree, some do not. But we can all agree that there’s nothing like a great American road trip.

We have have camped out in WalMart lots for the first few nights, but now we're fining the color. This stunning free campspot up by Bigwood river in ID gave us some great views and we pulled form neat footage for PHOTOGRAPHICS.
We have camped out in WalMart lots for the first few nights, but now we’re finding the color. This stunning free camp spot up by Big Wood River in South Idaho gave us some great views and we pulled some neat footage for PHOTOGRAPHICS.

 

Stunning textural lava flows at Craters of The Moon.
Stunning textural lava flows at Craters of The Moon.
We drove up to Creators of the Moon National Monument. It was truly a grand piece of barren desolation. But due to our lovley goverment shitting down it was closed. We managed to go back down the road and walk in from a pullout. Got some good visuals.
We drove up to Craters of the Moon National Monument. It was truly a grand piece of barren desolation. But due to our lovely government shutting down it was closed. We managed to go back down the road and walk in from a pullout. Got some good visuals.

Day 1

Loaded and ready. We did not hot the road tille about 6PM, but we drove none the less making it to a wal mart parking lot on Pendleton Oregon the first night. The secenmey will get better ;)
Loaded and ready on 10/7/11. We did not hit the road until about 6PM, but we drove none the less, making it to a Walmart parking lot in Pendleton, Oregon the first night. The scenery will get better 😉

 

 

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March 6, 2013

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4x5, beauty, f164, Fine Art, journal, line, National Park, Nature, signature, silver, technique

The Lost Oasis – Big Bend National Park, Film Collection

Lost Oasis - Texas
The Lost Oasis – Near the Hot Springs, Big Bend National Park, Texas 2012 – 4×5 film, Linhoff T IV

Warm memories, adventure and hints of times gone past. It took me awhile to finish this one because I liked it too much to do it quickly. This old store sits in the middle of the desert a few minutes walk from the Rio Grande, Mexico on the other side. Down the path a ten minute hike is the ruins of the old Hot Springs, self proclaimed healing waters that made this old resort an attraction.

Now it’s just a dusty path leading to the warm hot tub like foundation that still remains from the old bathhouse and is filled by naturally hot water. The whole family and I went down and we soaked together in the warm spring as a tiny Mexican village lumbered through the day across the river. There a lot of history in this old place and it’s memories are just a little haunting, especially when the tourists disappear for the day and the solitude of morning or evening take over the silent stones.

Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.

Released prints….

 

Down past the old buildings and to the ruins of the old hot springs building. It's remaining foundation makes it like a hot tub in the middle of the desert. The family and I enjoyed it - This is Cyrus, Asher, Ana and my wife, Sondra.
Notes Snapshot: Down past the old buildings lie the ruins of the old hot springs building. It’s remaining foundation makes it like a hot tub in the middle of the desert. The family and I enjoyed it – This is Cyrus, Asher, Ana and my wife, Sondra.

 

For Photographers. How it was made…

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November 22, 2012

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f164, journal, podcast, silver, technique

Photo Couch Podcast #33 | American Portrait

Photo Couch Podcast #33 MP3

Gavin is headed out for a portrait and looking to make a single powerful image. lets talk about planing and building a mindset for the “photo” rather than “the photos”.

_____

Subscribe in iTunes – Direct Podcast Feed – Facebook Page

Photo Couch is the companion podcast of Gavin’s f164 project. Sort of an audio journal. Nothing fancy here. Just short musings, tips, and thoughts on photography. You can listen below, or subscribe for free and get all the latest episodes. If you want more, you can also check out Gavin’s full podcast, Pro Photo Show.

Listen to more episodes here on the blog.

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September 24, 2012

3

4x5, art study, beauty, f164, Fine Art, journal, musings, technique

The Second Coming of Film – A Story About Light

Vintage 1968 photo magazines I bought. It’s refreshing to see articles on how to make good photos, instead of how to fix ones that were made wrong.

by Gavin Seim: (rev 05/13)

It was Spring of 1968. Motor Trend had just crowned the GTO car of the year, Eddie Adams just made one of the most iconic images in history and in a few months the Detroit Tigers would win the World Series. Pentax was telling us they made “fine photography easy.” and the Polaroid swinger was happily swinging off shelves. Topics ranged from the quality of drugstore printing to the latest spot meters. And yes, publishers knew that bare breasted woman sold photo magazines. Even then.

It was in the Spring of 2011 when I jumped back into film. I had cut my teeth on it back in the late 90’s. That was around the time the Unibomber was captured, scientists cloned sheep and Titanic sunk into theaters with a splash. As I grew, digital did too and soon took over the game. It was fresh, exciting and before long, even practical. Soon professionals everywhere were laying down their film for what were essentially 35mm SLR’s with a bit less detail. It was in some ways a downgrade, and yet digital does offer many advantages.

So I decided to go back and take film seriously. Loading it up for my travels to use it alongside digital. At first it was for the simple reason that a well scanned large format negative could produce vastly more detail than today’s digital. So I bought a classic 4×5 Linhoff and went to work. And it was indeed work, I picked one of the harder formats but it would turn out to be well worth it.


– 4×5 HP400 Film, Linhof Technika IV –

 

Popular Photography 1968, ad for the Contaflex 126.

A few months earlier in ’68, the world saw Charlton Heston tell his primate overlord “Get your stinking paws off me, you damned dirty ape!” A classic was born, that would be somewhat tarnished by less impressive sequels. Meanwhile The soft focus filter was in vogue. Forty-four years later my wife would stand next to me in the living room looking at a cover portrait from a 1968 magazine and say. “It’s blurry.”

Back in the twenty-first century we’re making coffee and I grab my Olympus 35RC rangefinder to take a photo of my kids helping out on the kitchen counter. My daughter giggles adorably and I realize I forgot to wind the film. I react quickly before they move and release shutter. One frame and it’s back to lattes.

I’m in New Orleans with my Linhof. Jan, 2012. It quickly draws a crowd and I’m happily chatting. Photo by Jason Eldridge.

I was not the first to be out there rooting for film in this digital era. Many of the best Pictorialists never stopped using it. People like John Canlas, Ian Ruther and a few others had also been sharing their passion for silver for awhile. But I was not so into the romance, I just wanted the quality. People acted like I was a little crazy, but they still were a bit breathless when they saw my Linhoff Super Technika IV that came out around 1956. It started to become a part of my brand. Not just in my pictorials, but in my portrait work.

Next I started talking about film. I started talking about how I blended it with digital. Scanning, editing, printing. I have nothing against the traditional darkroom and I hope to build one when I have more space. But I’m a digital kid and I have a workflow there. There was a method to my madness. I needed to be able to get great images made and printed large in reasonable time for a reasonable cost.

Soon I had a Jobo ATL1000. A remarkable machine in which you load with a small batch of film and a very small amount chemicals and return about thirty minutes later to finished images, color or black and white. The next step was to scan on my V700 using a wet scanning attachment and then into Lightroom and other tools for the finished image. The result was amazing resolution from this 60’s era camera that has not changed much in half a century. I can get around 100-200MP of detail from 4×5 and a beautiful organic feel that digital somehow misses.

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July 10, 2012

0

4x5, f164, Fine Art, journal, Nature, science, signature, silver, technique, travel

Ghostlands

Ghostlands – Eastern OR, Spring 2012.

It was towards the end of our Winter 2012 your. More like Spring as it was late already early May. But we were still on the road and winding thru the nearly deserted back country of Oregon towards home. These are hills and forest where you find a tiny town every hundred miles or more and if you’re lucky it might have gas and groceries.

I saw this neat old house turned store turned abandoned farm off of the highway and turned the truck around in a truly tiny town a mile or so down the road. I returned and setup my for large format film, using the height of our camper roof to get me a high vantage point.

I must have taken at least a half and hour setting up for a single frame of film. When I finally had it composed just the way I wanted I waited for the late afternoon sun to peek through just right and release the shutter. The light and shadows were magic and the result is exactly what I had hoped for. Ghostlands.

Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.. Learn about Limited Edition values here.

Released prints….

For Photographers. How it was made…

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