by Gavin Seim: I just hosted the first “Incredible HDR” (high dynamic range) photo workshop in Central Washington. It was an intimate three day class of six, with attendees from as far as London, so we had plenty of one on one time. The images they made were amazing. I’m really proud of the students and the creative results they produced during the workshop. We covered everything from how to capture HDR portraits, to final edits, controlling light and presentation.
I believe one of the most important parts of good HDR is knowing how to edit it. There’s a lot of really ugly HDR because photographers don’t understand what their dealing with and how to make something magical from it. Going further however I want to remind those playing with HDR that the rules of photography do not go away because a photo is HDR. Interesting subject matter, composition and attention to detail are all very important factors in a great image. The students at this workshop were from varied experience levels but I think every one of them got it and took home something valuable.
I’ll post a few images from students below as well as a few of my own I took during excursions. It seems every time I teach something, I learn something new myself. If you’re interested in learning more about my HDR workshops you can find info here on Seim Effects.
The Panel... Gavin Seim – Tom Hogarty (LR product manager) – Dennis Zerwas – Ralph Barret
This week we talk about the E-P1, Lightroom, video becoming more than a weekend warrior and selling quality.
Get the essentials: Thinking outside the box works, Just remember to get the MUST have's. Walking down the isle, standing at the alter, the first dance and many more. What's important to each couple can vary, so communication is important.
Where to start, how to get there, how to stay there. Secrets for professional and aspiring wedding photographers from Gavin & others.
by Gavin Seim:How do I handle my first wedding? How do I become a pro? I get these type of questions fairly often. Weddings aren’t for everyone but most aspiring and pro photographers will photograph a wedding sometime in their career. There’s much to be learned from what’s demanded of us at a wedding. While this article is aimed at those getting started, seasoned pro’s will get ideas too.
Today I’ll give some I’ll talk the basics of how I see and think when I photograph a wedding. Tips 1-6 will focus on getting great images. Then we’ll talk a bit about a post production and business (which is every bit as important). As we go thru them I’ll post some favorite images and share some thoughts.
The first wedding is daunting. Let me say that I won’t be talking about extreme photography basics in this article. If you’re at that stage there’s no shame in it, but you should gain some experience before tacking a wedding on your own. It’s a one time event and if you get it wrong you will be, at best, a sore spot in the eyes of your client. That’s not good for getting new clients and both you and your client deserve better.
If you can, second shoot aside an experienced photographer it’s a great way to learn, gain better portfolio and get more confidence. In my case that never happened. Though got serious about photography at age 12, my first wedding was cold turkey. I photographed for fun at a wedding and the couple loved them. That pushed me forward and my first paid wedding came awhile after. The rest is… Well the rest is below.
Try new things: This shot is the result of the first time I used off camera wireless flash (with Radio Poppers) at a wedding. I was just learning them, but made the choice to push myself to get great light in this scene. It paid off and my final image has a neat cinematic feel that fits my style.
Before my first wedding I absorbed the information in at least three wedding photography books. That helped me get a feel for what should happen. Without that study I would have missed a lot of important things. Resources like this are great (I wish I had had them) but a book can help you get perspective and have a reference to review. I’ll list few good books to get you rolling at the bottom of this post.
My first paid gig was back in the film days. I was about eighteen. Armed with my Canon EOS3, a cheap flash, a cheap zoom lens and an old monolight strobe handed down from Doug Miller, a real local pro, I became a wedding photographer. Was I good? No, but I was enthusiastic.
