NOT, these are very old versions of my presets. See the latest Power Workflow here. And download some of my free presets on the Filmist and Natural HDR page
It’s Gavin here and Power Workflow 3, my flagship LR set that includes a bit of everything, just got updated to version 3.5. It has new refinements and full Lightroom 4 compatibility.
So I always post freebies from each set I make, to share and to convince you just how good they really are. With the release of v3.5 I wanted to post this free presets pack, that includes updated legacy presets as well as the new LR4 versions.
Below you can download 8 presets from Power Workfow 3, including Super Hero, Portrait Power, Simple Polarizer and more. Download and enjoy. If you like what you see, the full collection has more than 75 presets guaranteed to please. Enjoy… Gav
As promised I’m not leaving users in the dust or making you buy new presets just for LR4. I’m proud to announce that PW3.5 is here. Power Workflow 3 is our flagship product for LR. If you only buy one collection of presets ever, Power Workflow is probably the one you want. It has some of everything from batch processing, to black and white, to creative color blends and it just got better.
Fully revised, PW3 is now fully compatible with LR4. More than that, there’s been extra refinements to the collection and those apply to both the new LR4 version, as well as the LR1-3 version. Both sets are included in the download.
Updated for LR4.
Series Refinements.
Three New presets.
Did I mention this was free. If you own Power Workflow 3, you should already have your download. If you didn’t get it, or you have an old version of PW and need an upgrade discount, just email me, effects@seimstudios.com. Send me your purchase name or email and I’ll hook you up.
NOW UPDATED for LR1-4 |Silver Shadows 2 came out in Nov 2011 and has been a huge success. It represents years of LR refinement since version one. It may blow you away when you see the efficient high quality silver conversions possible without ever leaving LR.
With the release of LR4 came some changes that made old presets not work so well. Users of my current presets collections are getting free updates for LR4 and the first of those was for Silver Shadows 2. You should have already received it if you own them.
I always make up a free sampler pack and I wanted to release an updated one that reflects the changes that came in Silver Shadows 2, for those of you that don’t own the full pack. So below is a free sampler kit that includes 7 presets. For both Lightroom 1-3 and Lightroom4 versions.
You can download below, no strings. When you realize how powerful they are, scope out the full collection. It has over a hundred unique effects, refined and organized into the ultimate black and white toolkit. Either way, head over to the product page for the video of SS2 presets in action while you download the freebies.
Mouse over for before/after effect of Lumen Modified.
Silver Shadows 2 is a complete black-and-white system for Lightroom users. We released it a few months ago it’s has received a resounding thumbs up in reviews and feedback across the web. That’s cool, but it gets better.
Today I’m proud to announce Silver Shadows 2.2. It’s a FREE update for existing v2 presets users. In fact, you should already have received an email with your download.
What’s inside. Silver Shadows 2.2?
2.2 features FULL compatibility with Lightroom 4. A separate set, revised for use with the LR4 2012 process and the new adjustment features. With that however, Silver Shadows 2 remains compatible with older versions, and includes a set for LR1-3 users. Both sets have all the Silver Shadows 2 presets effects.
New Effects & Refinements:
Silver Shadows 2.2 also includes three NEW presets including, Lumen Modified #1 and Light Modified #2 (Cp). Both are versatile creative effects to go with the more than 100 existing black and white presets in Silver Shadows 2. They give you rich tones and bold notes while maintaining dynamic range. Another new effect is Dynamic Dark Boost, a conversion meant for images that are a bit too dark. With this effect you can quickly bring up tone without altering exposure. It can also be used on lighter images for an ultra high key effect.
There’s lots of little refinements and updates throughout Silver Shadows 2. You can find a full list in the release notes of the info page that comes with the download. If you don’t yet own Silver Shadows 2, head over and check out the demo to see why it’s the only black-and-white toolkit you need. If you already have Silver Shadows 2, get your download now. This version completely replaces the previous. V1 users of Silver Shadows can also get a discounted upgrade to V2. If you did not receive your download or have press/support related questions, contact us, effects@seimstufios.com.
Presentation is as much part of a photo as the image itself. An image on a disk means little to the world. A well presented wall piece does. It’s part of the process that doesn’t get the attention it deserves…
By Gavin Seim: So how are you mounting and presenting your images? It’s something worth thinking about, just like How You Sign and Brand Your Images. While digital files certainly have their place, most won’t fully appreciate a work until it’s hanging in front of them. Which in my mind makes presentation a critical part of the whole editing and production process. I’ve learned it’s often a missing link in the art process in this digital soaked era.
Personally it took me years to get past the clutter and get really focused. It’s not just making a print. It’s a whole process. And lets be honest. It can tough to present on a wall. It forces you to make decisions, spend money and commit to a given edit. But when you do, there’s nothing quite so gratifying as seeing an appropriately sizes piece hanging on a wall. It makes you see your work an entirely different light.
The Chamberlains. 30x70 print on canvas. See below.
These days I try to present without glass as much as possible (a personal preference). I often use traditional (not inkjet) canvas prints mounted by Whitmire & Associates They’re like nothing else. I enjoy metal and sometimes classic mounted prints as well and I’m also doing some experiments with hand coated and polished fiber inkjet prints. I nearly always avoid making a loose wall print and sticking in in a frame. I find it just lacks the polish of a quality mounted print.
The image above is one of my 70in Heirloom Canvas prints. More about my canvas and mediums I use right here. It’s been framed and presented by itself on this large wall, keeping it as the main item on the focal plane. For some detailed thoughts about appropriate print sizes through history and my process for wall prints see this article.
Of course everyone does not need to see the same way I do. But part of our editing process is reducing images to that final finished piece and deciding how that piece can best be presented as art. For most works, the process has not been completed until an image is hanging on the wall. It’s often the true test of how good a photograph really is.
Gavin standing with a 30x46 print on canvas of his limited edition, Doorway to Winter.
So challenge yourself. No matter where you are with your presentation, start looking around. Find what’s being done and what has been done. Find a nych that fits YOU and make those prints sing. Photos on social networks are fun and good for promotion, but images on walls are like fine furniture. Done perfectly they never go out of style (ever been to an art museum). Aside from how good you’ll feel about a great print. They also sell for quite a bit more than a 5×7. Yet another perk 😉
Of course this all goes deeper. There’s printing mediums, how you light your images (critical to presentation) and more. But that’s for another day.
Do share your favorite presentation methods in the comments. And stay tuned, I plan to make a post soon detailing some of the best printing and presentation methods I’ve come across. There’s some really good ones… Gav