June 7, 2019

War in heaven is a PPA Loan winner and one of my best night sky images. So for today’s vlog I dug into my field recordings and we’ll look at how I made as well as a bunch of tips for getting amazing deep field starscapes.. I’ll keep it brief. Enjoy – Gav

 

final run
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October 9, 2015

seim-mily-wayClick for large version.

A7R II, 10sec, ISO 12,800, Canon 24mm TSe II

I believe I can go at least 50 inches with this. Here’s a few tight crops. . Yes there’s some noise, but it has a reasonable nice grain feel to it and for this ISO it’s amazing.

— Gav

The War in Heaven

The War in Heaven

 

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April 23, 2012

The Night Watcher by Gavin Seim - Near White Sands New Mexico, March 2012

An open New Mexico sky and a gentle foreground glow from the lights of a distant military base. This tree stands alone on a dusty patch of earth. In the daytime you might not think much of him. But as he watches over the trailing stars of night his delicate majesty is revealed in full.

I made this just outside the camper in the same spot near White Sands where I made Sliver Moon Blues. A seemingly barren patch of earth, that in three days offered me two new images. But I had to work for it and I was up until the middle of the night making it happen. It took well over an hour for each exposure and that adds up fast. It was worth the effort however and the Night Watcher is the result.

Release details: Prints Coming Soon.

For Photographers. How it was made…

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April 6, 2012

A study image only. Canon 5D MK2, 50mm 1.4 @f5.6, 1 hour, ISO160. Bright rock light from the moonlight

An image study for photographers.


Star trails, turning night to day, midnight landscapes. There is amazing image potential for the photographer willing to do their homework and pre-plan setups to take those grand steps into the dark of night.

This photo is lacking. What it shows me is not. I was in the New Mexico highlands. The sun has long set and the light is only from moon and stars in this one hour long exposure. This image is not fully up to my standards and hence may never make it into my Signature Collection. That said there’s something to be learned from it.

I’m trying to develop some baselines and ideas for working what I call ULE’s (Ultra Long Exposures) and I wanted to share some of those here. This image represents the first time I used “only” past experience to determine exposure time, running a single one hour exposure at 5.6, ISO160.

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January 6, 2012

Evening Passage. Upper Tipsoo Lake, Mount Rainier National Park, Fall 2011, by Gavin Seim.

We made a trip this fall into the forests above Yakima, below the rear entrance of Mount Rainier national park. It’s a breathtaking view up here if the weather favors you. And while it was pretty grey on this evening around sunset, the sky had it’s moments and beauty. There was indeed a gentle subtlety singing in those peaks, hidden away within the folds of light and shadow,

The result is Evening passage, a silent reflection in the upper lake, made calmer my the gentle passing of clouds and ripples in this long sunset exposure.

Release Details: Prints Currently available. Contact the Studio for availability and ordering.

For Photographers. How it was made…

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