June 4, 2020

Last week I was working on the 1.2 update for our Filmist emulsion presets. We develop these for Lightroom Capture 1 and LUT. I needed some fresh test image so I took my model Sondra out for a quick natural light shoot on these quiet side street in central Mexico.

The soft light seems a bit flat but there’s direction to it and it’s perfect for portraits. The quiet greens made for a sublime contrast to the dress and the sunset light was filtered like a giant softbox. Then we started editing with FIlmist. No need to lose ourselves in over saturation. There’s a reason film color was refined for over 100 years.

I’ll with just some color grades and then do more detailed finish work on my top favorites. This first one is just the new 160V Pushed presets which gives a nice poppy push to the RAW file with this really soft light. We want to bring out the shape of the light. The reason good presets are so powerful is not because you can’t edit sliders manually. It’s because you cab quickly browse looks that are close and get the one that really fits the image you’re working on. You get to see things you would never see if you editing everything manually.

I start with the RAW file color grade. If it’s a 5 star image that I will edit in PS, I will take off the grain until after my final edit and then add it back to keep the image surface clean and free of artifacts. This one is just a preset and is now ready for some quick detail work in PS.

Ok lets go…

Shoot Notes:

  • Location; Querétaro mexico, May 2020
  • Time: Sunset, around 7PM, partly overcast
  • Gear: Fuji XT3 – 50mm f2 lens

Edited with: Filmist presets, Alchemist Actions, Lumist Actions and Sharpist Actions.
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The key with great color in a portrait is to separate the object. To make your  subject pop and have that 3D feel. It’s starts with light but the way we mix colors is huge. That’s why it used to be so important to choose the right film, today we can do that with color grading or tools like  Filmist which are my go to because they give me the right mix.

After the presets I went into PS for quick skin and sharpness detail using Alchemist retouching actions and last but now least SHARPist actions to give it that final zing. Here’s the finished shots and I’ll mark the film look I used on each one of these.

It’s worth noting that while I speak of the tools I use to save me time, all these things can be done manually. Using color sliders to control the mix and get a filmic look, using frequency separation for gentle smoothing, eyes bags and more,. Using sharping for that final pop. These are all tools we have in nearly every photo editor. It’s just a question of how you apply them.

The anatomy of an edit. We started with a nice soft Raw out of camera, then use the Color Pro 400p preset for a nice filmic color grade. Then I spend 5 minutes in Photos. I used Alchemist for a very subtle frequency separation skin retouch, the eye bag brush to quickly soften the eyes, the Alchemy eyes brush to make them pop and finished with a bit of burn and dodge and the Rocket Sharp action from Sharpist. Boom, bang, boom.

 

These are just fun shots and I don’t even need Photoshop. This super warm sunset light looks great but I don’t want top over saturate so I’m using a nice soft Concept film like 400 ES that keeps the color soft.

 

After the presets I did a little work Alchemist using tools like the eye bag brush and then a sharpening using Sharpist. Not too much, just a little final clean up.

 

The final edit

 

Full length for the legs for days look. I mixed presets for a soft color blend and then spent a few minutes without Lumist as tone control is key in longer shots.

 

Used PolaColor S here and the light dark sharp from Sharpist actions to make her pop. That’s all.

 

These are B type shots that are great for Instagram. Sometimes I’ll just to a color grade and leave it at that. No Photoshop or extra retouching needed.

 

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June 19, 2012

First Flight - Sondra's first ride with Steve. In a tandem over the hills of Lehi Utah. She came back grinning ear to ear.

It was Spring by the time we hit the last leg of our 2012 winter tour. We stopped in the Salt Lake area and parked overnight at Cabelas in Salt Lake City. Sondra went shopping the next day and I went hunting for a part I needed for the Super Camper. On the way I noticed a kite shop called Cloud 9. Since I had been wanting a stunt kite to carry along, I decided to stop in. Inside I did find a neat little stunt kite and took it with me. But I also found something more. I discovered Paragliding.

I’ve always wanted to fly and just the possibility of an affordable means to do so, using a wing compact enough to fit in a backpack, got me excited fast. I decided to take a tandem flight with an instructor the next day for about a hundred dollars. I wanted fly and I did. It was breathtaking. I thought it would be scary. It was, but only till Steve and I took off. Once I realized I was floating in the sky, suspended as from a cloud, I was instantly hooked.

Back at the trailer I praised the flight, telling my wife how amazing it was. I told her it was not that same fear as being afraid of heights, because once you’re up there you don’t feel at all unstable. You have control, can glide, gain altitude and land at your pleasure. Sondra started getting annoyed because I kept going on about it. She told me she WAS NOT going to fly. So,  good and kind husband that I am,  I said OK and shut up about it ;). Soon we headed down the road towards Nevada and I let it go, simply saying I might still have to learn on my own.

That night we camped by the Bonneville Salt Flats. In the evening after some him-hawing around, Sondra suggested that maybe she should give it a try. I laughed at her, but it was a good laugh. The next day we booked her a tandem for that evening and drove all the way back to the training hill outside of Salt Lake City. Sondra flew and when she landed she was grinning, giddy and could not stop telling me how much she she now wanted a paraglider of her own. It was so cool to watch her.

We were both hooked now. The ability to carry a wing with us on our travels, soaring and photographing. Even the ability to add a small motor if need be, to go to areas where wind currents might not favor us. There’s more to it than that of course and we plan to learn about that soon because now that we’re home, we can’t wait to get back down there and get certified. That’s something we hope to do later this year. It costs about a thousand dollars plus gear. So for now we just watch videos, look at photos and dream of free flight. Both of us.

With that I better get back to work, pay some bills and make some prints, because we want to go flying. Soon… Gav

For Photographers. Tech Notes…

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January 31, 2009

This is my masterpiece of the week. It’s from last Sunday’s drive and was taken overlooking the Columbia river just off Manilla Creek Road. (Here’s the coordinates on the map). You can click the picture for a bigger view.

I did this with two, three shot HDR images of the scene stitched together as a panorama. The view  was amazing. We stopped here earlier in the day, so I knew it had potential. We moved on, but at sunset came back for the shoot.

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