November 17, 2011

by Gavin Seim: We all see differently and that’s good. We should never stop working to improve. One might even contend that you can never really “master” photography. But perhaps you can get pretty close, if you really nail down these and perhaps a few other essentials, taking control of the way you plan and capture images.

 

1 – Your Tools – A camera does not a photographer make and neither does fancy software. But don’t underestimate how important the tools are. Some sluff off knowing their gear, settings, apertures, shutter speeds, lights, software another tech stuff. That’s usually a fatal mistake. Don’t fall into the crowd that says “I’m an artist, so I just don’t get into that technical stuff.” Photography, like most arts, is both art and a science. And if you don’t master both, you’ll never be a master of the art.

2 – Storytelling – A great image has to have a subject and a story that can reach out and grab people. Uninteresting subject matter, too much clutter, messy composition, bad details, distracting lighting, the list goes on. Fail at any of these and you’ll never be great at photography. It’s hard to nail all these elements down with anything but years and years of practice and experience. But then, no one said this was easy. Until you can start clearing out distractions and really convey feeling. You’re just making snapshots. Those are fine, but remember. Everyone else it making them too.

3 – Tone Control – This may be the biggest of all. And yet it’s finer points are the most ignored. It’s the one most will never truly master. Everything needs to lead to the subject. And mastering tone gives you that power. Tone control is about seeing light in your head, understating how to manipulate it, and understanding how to control tones to make your subject and your story, sing like the sound of music. Even most professionals have not nailed down tone control, but until you do, you’ll never be fully able to control your light or the impact of your photographs. For more on controlling tone check out this article.

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If you’ve mastered all these things, then you should be writing this instead of me, because I’m still working on them. But working I am and getting closer each day. Just remember that a camera is no more an artistic tool than a typewriter. It’s knowing how to tell a story with light, tone and line that matters. Like nearly all arts, there’s an aspect of science and an aspect of art you must master. Otherwise you’re just another person with a tub of paint or a ream of paper. For more

So lets get to work. Science + Knowledge + Vision = Art

 

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November 16, 2011

Click To Listen>> Photography Podcast. PPS #81
Direct Podcast FeediTunesPodcast Alley

Today’s Panel... Gavin Seim (G Pixel).

Today Gavin goes in depth on light, zones, meters and making images come out the way we want them, every time. Foregoing long errata and going straight to analysis of using light and Zone to control the results of our images. Lets jump in.

Podcast #81 forum discussions:

Main Time Indexes:

  • 00:00. Quick News.
  • 03:55 Visualizing and Zones essentials.
  • 09:47 Working the Light. Our scenario.
  • 20:00 Editing and fulfilling the visualization.
  • 33:03 Light does not always cooperate.
  • 39:35 The break. Silver Shadows 2, iUSA etc.
  • 42:40. A light recap.
  • 44:45 Using Light meters.
  • 50:40. Wrap up. What we can do with light & Zones.
  • 58:00 Pick and closing.

Links to things we mentioned.

The new Silver Shadows 2 black and white Lightroom presets.

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November 10, 2011

The new Silver Shadows 2, black and white toolkit for Lightroom is now available from Seim Effects Photo Tools. SS2 is a complete black and white preset system that’s been refined and rebuilt from the ground up for stunning silver conversions without leaving LR.

V2 contains  over 100 refined easy-to-use black-and-white presets that address the subtleties of digital silver conversion, photographers can easily mix and match, customize and tweak to create artisan quality black-and-white images without leaving Lightroom. I uses the Seim Effects workflow structure that permits both large batches and single images to be processed quickly and accurately without leaving Lightroom.

The cost is Silver shadows is just just over $50 for the entire collection. You can find out more on the Seim Effects website. Silver Shadows 2.

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November 4, 2011

by Gavin Seim: Silver Shadows 2, my new black and white toolkit for LR is finally here. This is a really exciting release for me. I’m passionate about black and white, and the refinement that has gone into Silver Shadows 2 has been years in the making.

SS2 has been expanded and revamped from the ground up. I think it will blow you away when you see the efficient high quality silver conversions you can do without leaving LR. I can’t tell you how proud of this set I am. So let me show you. Head over to the SS2 page and check out the brand new video, freebies and more, plus get the special introductory price if you get SS2 before Nov 30th. I may also talk about this new video later. It was quite a project… Gav

You can get the official media kit via the SE Press page.

 

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October 31, 2011

By Gavin Seim

A few people think of me as a cranky old photographer who picks on newbies. This is probably because I’m pretty blunt, and I’ve written articles like A Style & Why Most Photographers Don’t have One and Stop Camera Abuse.

They have just not gotten to know me. Truth is, I’m just a guy in my late twenties, and it was not that long ago that I was starting out. I know what it’s like. I study a lot, know a lot of the hassles that can be avoided, and I see what’s happening in photography today. So I won’t simply play the part of a feel-good guy who says everything is great no matter what. We all deserve honesty.

Encouragement is a valuable thing, but there’s a lot of patting on the back going on because people don’t have the guts to be honest with their peers. In the end, the truth often comes out in the fact that they can’t make it in business. I say going bankrupt is terrible way to realize how hard photography is. Best to get to the hard truths right off, so you can make a business plan that works.

So that said, here are some thoughts–some observed, some learned the hard way–for newer and aspiring photographers. I’m going to be a little blunt, so don’t take it personally. It’s OK to be starting out. But you deserve honesty, and that’s exactly what you’ll get today.

It’s not like it was. Let’s face it. The standard of excellence is higher than ever. Everyone is doing photography. Yes, you can learn to take “good” photos pretty quickly. But so can everyone else. And with so many people doing just that, nearly as many trying to go into business, and a lot of those working for next to nothing, the market is totally saturated, and the value of photography has been driven to an all time low. But don’t lose heart. There is a market, but you need a brand and something with unique value to offer. You’ll need quality, personalty, and business skill to boot, or you’ll just be working for peanuts producing the same stuff everyone else is.

1. Take the Time.
You won’t be Ansel overnight. Don’t stress about it. Becoming a really experienced photographer takes training–a lot of it. It will not happen overnight. It probably won’t even happen in two or three years. Not that you won’t be taking good photos in that time, but don’t expect them to be the most amazing things every time. If you want to rise above just keep getting better. Keep training. Because you can, and you’ll feel great about that progress.

2. Don’t Rush Into It.
Make a clean, simple site where you can show your work and get feedback. Then keep at it, but take it easy. Don’t feel like you have to rush out and book gigs. It’s OK to be a photographer for the sheer joy of it, just learning, sharing, and having fun. As soon as you start hiring out, you’ll have to spend more time managing a business than making great photos. A lot more. In many ways, it’s actually less enjoyable when it becomes a job, even if you still love it.

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