August 16, 2010

by Gavin Seim: I have to say I’m pretty excited. Seim Effects tools were just featured in a glowing review by Joe Farace, in his Digital Innovations column inside the September issue of Shutterbug Magazine. It was a nice bit of recognition, by a great photographer, in a magazine that’s nearly as familiar to the photo world as the camera itself. Gave me a really nice bit of exposure (no pun intended). Below is a capture of the page 41. Go pick up the latest issue and take a peek.

I confess. When I started making all this stuff I was determined to make it really good. But I can’t say I expected it to take off so well. It’s been a few years and a lot of work, but I feel the system is really solid now and getting better all the time. This part of my job is almost like being a scientist. I sit down in my little test lab and just start trying things, searching for little nuances that do something remarkable. After the dust settles and I get it refined, I get to share what I discover with photographers all over the world.

Now I’m a huge proponent of getting things right in the camera. But when we get in right in camera, then get it right in post. We can make something magical. Being able to make these tools has really been a blessing and I want to give a shout out of thanks to all of you for helping it happen. Not to mention one to Joe, and Shutterbug for taking the time to notice this little punk fish in a big sea… Gav

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July 27, 2010

Summer is moving right along. Come September I’m hitting the road for a month in our new trailer taking a photo tour with my Family. My destination is Twin Cities and when I get there I’ll be doing a 3 day HDR workshop followed by my 1 day LR Power Workshop.

I won’t make this long. You can click below for info on either workshop. Whether you’re local or traveling in, I look forward to seeing some of you there. There’s also talk of some kind of a PPS meetup, so stay tuned… Gav

HDR Workshop 2010

LR Workshop 2010

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July 8, 2010

By Gavin Seim. Disclaimer: I don’t know Captain Awesome personally, but I feel confident that this would be his approach is he used Lightroom.

Understanding the Catalog: Updated 03/2012. I’ve discussed catalogs on the Pro Photo Show and also cover them in my LR workshops, but I wanted write it down in simple terms. First lets get clear on what a catalog does. The LR catalog is a single file (.lrcat) that houses the edits and changes you’ve made to the photos it points to. I generally explain it in analog terms. Imagine a file cabinet of negatives in your storage room. Next to it is another box and inside that are note cards referencing every negative in the file cabinet, each stating what was done to that negative to produce the final print.

The LR catalog is similar, only it’s digital. It references any images you tell it to and keeps track of what changes have been made those files. Rather than looking up a note card however, you just open the catalog and LR shows the result of any changes that have been made. LR does not care which folder the actual files (negatives) reside in. It just looks where you tell it to. Now if you were to delete the LR catalog, it would be like throwing out that box of note cards. The negatives would still be sitting where you left them, but the changes would be lost.

LR makes a default catalog when you start using it, but you can make as many catalogs as you want (File/New Catalog) and open any one of them by simply double clicking the on the catalog (.lrcat) file. Now let me share some power user tips that can make your image management easier. I make a Lightroom Catalog for each job. That’s right every senior, family, and couple get a catalog made in their honor. Sometimes people think I’m sort of a LR heretic for this, but they usually change their minds in time. It’s simple management mechanics and is becoming more common every day.

Why Separate Catalogs? Many photographers that use Lightroom have one huge catalog that all their images are referenced from. They manage projects from within that catalog using collections and the folders. The actual images may be referenced from various drives and directories all over their system. What happens when those images are moved? The catalog can no longer see them and you get an annoying question mark on the thumbnail that indicates a missing file. To use them again you have to point LR to the new location where the files have moved. In itself  this is not hard, but as a catalog grows, file management often becomes an issue and it becomes easier to misplace files.

There’s also the smaller issue of speed and reliability. Though LR deals with large amounts of images well, the bigger a LR catalog becomes, the more eggs you have in one basket and the more hassle you “could” have should the catalog become damaged (of course you should always have a backup). But even with that I prefer a more streamlined approach to catalogs. I don’t have to worry about a huge master catalog getting out of hand and I don’t want the hassle or managing it. Lets take a look.

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June 24, 2010

by Gavin Seim: I’ll be talking more about Lightroom soon, but I wanted to make a quick post about what I found most significant in LR3. It’s the processing. It may go unnoticed at a glance, but is so much better, that by itself makes LR3 worth the upgrade. This first example shows an ISO 50,000 image from a 1D MKIV, showing just how impressive the new noise reduction and processing in LR3 is (not to mention the camera). I did this in LR3 by simply switching it back and forth from new to old process version (in the camera calibration settings).

Next is a lower 640 ISO example. For this one I actually processed the first in LR2 itself and the other in LR3. While not so obvious (click for the large version) it shows the subtle quality of not just the noise reduction, the the quality of how the file is being processed. Notice in the large version how the LR3 version feels more organic, almost film like in quality. I love it and you can be sure I’m getting under the hood in LR3 to see what’s possible for workshops and my Seim Effects presets.

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June 22, 2010


Mouse over for Before/After sample.

I frequently crawl under the hood in Lightroom. Today I’m working some projects in LR3 and experimenting with the latest features and tools. Something I’ve started doing to make certain effects more adaptable, is what I’m calling Tone Independent Presets. They add an effects without using any of the primary tone settings like exposure, brightness, contrast, white balance etc. The result is an effect that can easily be applied to a plain image, or after general and batch corrections without effecting previous tone settings. This preset is an example of that.

I’ve spent quite some time today (probably too much) looking at the tones and feel of classic Polaroids and doing lots of tweaks in LR to get the look I wanted. The result is this effect I’m calling Gavin’s Old Polaroid. It’s a classic Polaroid themed tone that I think you’ll find appealing. This is a test of effects that will probably show up soon in an update to Color Fantasies presets collection. You get it today however and it’s free to boot. You can download the ZIP below. While it uses some LR3 features, This, like all my other presets will still work on older versions of LR. Enjoy… Gav

Download Old Polaroid Preset ZIP

How to install Lightroom Presets.

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