July 11, 2013

Video_ Selling Wall Art – Photos as Fine Furniture-1
It’s road trip season. Check out Gavin’s road trip article for a huge list of resources.

Click To Listen>> Photography Podcast. PPS #93

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Today’s Panel… Gavin Seim Bary HowellScott Jarvie

This week Gavin and Barry talk about the latest topics and then dig into some stories of past photography adventures.

This episode brought to you by the Seim Effects and the award winning EXposed Workshop.

PPS #93 Forum Discussion HERE.

Main Time Indexes:

  • 00:00 Introductions.
  • 01:40 Barry Speaks
  • 17:55 A bit of video discussion
  • 24:30 News and LR5 talk
  • 34:30 The Stolen Facebook Photo Fiasco
  • 52:20 It’s Story Time
  • 1:18:47 Picks and Fishing
  • 1:37:25 Scott Jarvie Joins in

LINKS…

EXposed Workshop win’s a hot one award.

Gavin Road Trip Journal

Gavin’s road trip article with a list of gadgets.

VIDEO: Selling Photos as Fine Furniture.

Canon C100

Graphene Camera Sensor.

The Stolen Facebook  Photo Fiasco.

Jarvie’s Faith in America Project.

Picks…

GAVIN –

SLR Pro Dot

Bucket Boss Jumper Cable Bag.

Epic 25ft Jumper Cables

Barry –

Stool with tool storage.

Air Display – iPad

Rapela Scatterrap.

Scott –

Jumper Power  Box
(Here’s a heavier duty version)

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June 17, 2012

I wanted to start a new series looking at classical art on my journal, as I get a lot of my inspiration by studying the masters. It makes me study line and tone it a broad since instead of merely by what’s the popular fad of today.

Here’s Thomas Gainsborough‘s, The Watering Place from 1777. You’ve probably seen iconic work by Gainsborough in paintings like The Blue Boy. I also find myself wondering what he thought of Americans at this at this time, as the Revolution was now on.

It’s currently on display at National Gallery in London at at over 70 inches it will be quite impressive, reminding me once again why a wall piece can take an image from a little print to a piece of timeless fine furnishing.

Next to the painting is a beautifully done engraving of it made by William Miller many years later. It some ways I think the detailed beauty of the monochrome engraving is more impactful that the original. But both are beautiful and I’m guessing we’re seeing some fading the the painted work from how it was originally intended by Gainsborough.

There’s a simplicity here. Yet there’s also a subtle complexity. The cattle watering are clearly the subject, but as you look closer you see many details of supporting cast. The people relaxing under the trees, the distant farms, the birds in the sky. There’s something to be learned from this pieces that was praised by critics when it released.

What are your thoughts and what’s your favorite classical art this month.

Gav

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November 17, 2011

by Gavin Seim: I worked with Ken recently on a promo video for his Wall Portrait Conference (incredible workshop by the way).

So after shooting the clips for the promo, Ken just say down with me and chatted on various topics I prompted him on. I’ve pretty much removed myself from this video and what remains is about 17 minutes of gold, as this renowned portrait photographer talks about out craft and how he see’s it.

Ken’s a really neat guy with more photographic awards than you want to count. But he’s always eager to learn new things and share ideas. It’s really cool. You can also view the HD version HERE.

Note: This post was copy-edited and re-shared in MAy of 2018. Ken passed away in November of 2016, but I left the tense and language as it was when this was originally written.

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October 17, 2010

Forgotten City, 2010. Downtown Minneapolis, fall 2010. Time exposure.

Print release coming soon.
This image earned a merit at the PPA International Print Competition, 2011.

It was the flour capital of the world around 1880 and beyond. But things change over time and the old flour mill in downtown Minneapolis MN is now a part of the landscape around the Mill City Museum. It’s a pretty neat sight. Remnants of old machinery, underground tunnels and broken structures spark my curiosity and make me marvel at how large the operations here must have been.
It’s a mix of the still standing and the now fallen. Both still appreciated. I made this during my tone workshop in mid Sept as we all walked across the bridge and explored the area around the museum and the Guthrey Theater. It was a fun walk and I took home more than one good image from the area. Here I used a very slow shutter to blur the movement of cars and people, leaving the city as a silent piece of history.

For Photographers. How it was made…

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March 7, 2010

by Barry Howell: I have been a professional photographer since the early 80’s and am in the throws of embracing change like I never could have imagined. I have photographed hundreds of weddings and thousands of high school seniors. I was honored with the first ever Haga Wedding Album award for the best wedding album in Minnesota, and have entered many competition prints over the years. I began shooting weddings for a couple of studios, worked part time on my own for several years, and bought a very large studio operation in 1995.   My first digital camera was a Fuji S2 and that is where my journey into the digital world really began. A good friend (and former employee) encouraged me to take a look at Lightroom and then Gavin Seim’s presets from Seim Effects.

My years of experience (and significant volume) causes me to very careful how much “post production” we commit to. Having studied with the likes of Monte Zucker, Frank Cricchio  Don Blair, David Ziser and others, I learned to produce near perfect images in the camera. There just wasn’t much editing we could do with our C-41 in-house lab printing from medium format Hasselblad negatives. I am the “techie” guy that loves everything shiny, new and cool, but I didn’t jump into digital until I felt the cameras and output options rivaled film quality.  My journey from film to digital has been a long and at times very frustrating path. If you are just starting out (i.e. have never shot a roll of film-I know you’re out there), appreciate my story and be glad you can develop a workflow without  transitioning from anything else. Take the time to think about ways you can do it right from image capture to customer delivery.

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