July 9, 2010

by Gavin Seim (updated 7/21/12): I give workflow a lot of thought. In fact I started writing this nearly two years ago and it’s based on methods I’ve refined in my own business. If you read this and follow through with it, you WILL edit faster. Truth is, I’ve actually refined my skills by just by writing this down. I’m going to be a little blunt today so don’t take it personally and don’t think me arrogant. My goal is to make us all better at editing so we have more time for life. Good processing is very valuable, but it does not have to be slow.

I devote a lot of energy to planning workflow for my own studio and for the tools that I make for LR, Photoshop and Aperture (check those out here). I’ve experimented a lot and I’ve built a system that works. As photographers we often end up with hundreds, even thousands of images to edit. But editing should not be a tedious overbearing monster. What we need is a plan. I say that in a good batch workflow, you should be spending no more than 20 minutes sorting & editing per 100 images. If you spend much more than that, you likely have ENAS, or Editing Non-Awesomeness Syndrome. It’s a common ailment among photographers, but there is a cure, which we’ll address here.

This topic can get tedious if we don’t have some fun so lets keep it light. Really though. These concepts work for 25 images or 25,000. It’s about being organized, creative and efficient with editing. It’s the opposite of having countless pieces of software you switch back forth to, or endless erratic steps to reaching your goal. I can edit a wedding with 1500+ images in 3-5hrs of computer time. I’m not a light editor either, so some will do it even faster. Sure, it’s OK to spend extra time editing because you’re enjoying your work or doing fine art, but a solid foundation will make every project flow better.

Because I’ve also built a business out of making workflow tools, I’ll be using my own effects today. But these tips apply to any tools that fit into a smooth editing plan. I’m also using Lightroom. It’s the fastest I’ve found to date and can do about 90% of what Photoshop can, but about 5x faster. That’s huge! If you use Aperture or something similar that’s cool too. I’ve worked with both and the approach is essentially the same. If however you’re still doing main corrections in Photoshop, you’re probably wasting time. Doing all your editing in Photoshop does not mean you’re more creative. It just means you’re slow! That’s not to say you should not use PS. But with a good A-Z workflow you’ll use it less, edit faster and make your work better.

Here’s an average Super Workflow. Let’s say we’re working with about 1500 images from a wedding.

  1. Prepare your workspace (know critical shortcuts):
  2. Import & apply batch corrections:
  3. Sort and or rate favorites.
  4. Perform the Grid Edit.
  5. Apply creative LR edits as needed:
  6. Edit the “best” in Photoshop if needed:
  7. Tidy up and export for web, album designs etc.

Lets take a closer look.

Read More

April 23, 2010

Click To Listen>> Photography Podcast. PPS #68
Review in iTunesVote on Podcast AlleyDirect Podcast Feed

The Panel... Gavin SeimScott & Adina HayneDennis ZerwasBarry Howell
This week the panel discusses the latest news, CS5, LR3, ways to deal with business, Facebook, marketing and more. It’s a nice long episode so some of you may want to break it up into two listens.

Podcast #68 forum discussion:

Notable Time Indexes:

  • 00:00 Intro and tidbits.
  • 02:45 Talking CS5 LR3 and more
  • 21:50 70-200 MK2 and 1D MK4 (see images below).
  • 30:30 Taking about Flash and websites.
  • 38:55 Facebook, pages and business sense.
  • 1:02:38 Barry Senior Portrait market research.
  • 1:19:20 Surviving business, marketing, price talk.

Today’s Show brought to you by Seim Effects photo tools.

CS5 is coming next month.

Free Aperture Presets.

Deals page for promo codes mentioned in the show.

Check out the No Rules Workshop with Scott and Adina.

Gavins HDR workshop is going on the road.

CCS Edit for Mac is how Gavin alter WordPress.

Most if Gavs sites are built with a modded K2 theme.

TTG iPhone gallery is what Gavin used for mobile.

Set your Facebook page user name.

LR 2.7 and cam RAW 5.7 is on the Adobe updates page.

Canon 70-200 MK2 lens comparison and review.

Canon 5D MK2 vs 1D MK4 Noise Test.

Photographer jailed for not fulfilling his obligations.

PICKS:

Due to the length of the show we skipped picks this week. Back next time.

Read More

July 7, 2009

by Gavin Seim. Updated 05/2012:
I enjoy quick bursts of information and chat frequently as @gavinseim on twitter.  I’ve made this list of my favorite tips that I plan to update it going forward. You can add your favorite and tips in the comments with your twitter name. I might even RT them myself.

I give credit to the speaker when I can, using names in parenthesis. Many of these are my own musings from Twitter and I’ve indicated myself with an (S). If there’s no name then I probably don’t know the source. These are not always exact quotes, but ideas I’ve re-formed to fit in under 140 characters on Twitter

Random Things:

  • Every image needs a subject. Just one. If it has less or more, than that it’s probably time to reboot. (S)
  • Presentation is as much part of a photo as the image itself. An image on a disk means little to the world. A well presented wall piece does. (S)
  • Don’t wait for the photo establishment to show you how to stand out. Because if you do, you won’t (S)
  • The line between a snapshot and a quality photograph are lost when everyone is a “photographer” but have not actually learned to be one! (S)
  • I’m not afraid to change my opinion, but I am afraid of not having one. (S)
  • Competition. A powerful tool that makes you stronger. Complaints about it are often cop outs from photographers not motivated enough to excel (S)
  • In photography rules mean conformity, and to conform is the opposite of creativity. (Whitmire)
  • Be Positive. It’s not just a blood type. (S)
  • Each time I think I’m really good, I learn that I’m not as great as I thought. Then I actually start getting really good (S)
  • Always do the best you can with what you have, but always push yourself to the next level. (S)
  • As photographers we often overlook the power of just practicing. It’s like giving ourselves our own workshop for free. (S)
  • Photography is painting with light. So if light is paint, why do we spend more time pressing buttons than mixing our paint? (S)
  • It’s not the location you take your photos in. It’s the photos you take in your location. Anything can be a good background. (S)
  • Being edgy is cool until everyone is doing it. Then it’s not edgy. It’s just boring and usually annoying. (S)
  • Every really good photograph I manage to make is a class in making the next one. (S)

Posing n more:

  • Portraits. Guys tilt the head towards the low shoulder = macho. Girls tilt head towards high shoulder = pretty (Celentano)
  • Bridal Portraits, Hold that bouquet on the hip to look thinner. Hands (and bouquets) held in front from make the bride look bigger. (Celentano)
  • Group portrait. Just before the shot have everyone lift up their shoulders and lean towards the center. (Celentano)
  • Portrait Tip: Look for triangles in your group poses. Use bodies, sitting, head position etc to form triangles. (Celentano)
  • If posture pose and light is correct it does not matter where the camera sits. The pose is still set. (Gardener)
  • Posing tip: If it bends, bend it. Play around with joints, elbows, fingers, everything.
  • Posing tip: Leave some open space between those bent elbows and the waist. Helps make your subject slim n trim. (S)
  • Don’t over pose the subjects in your groups. Their not solders, their free people. (Whitmire)

 

Read More

June 17, 2009

OK I’m not a Sprint or Blackberry user, but all work and no play is no fun and this ad is perfect for us photographers. It actually got me thinking though. What crazy cool things could I pull off if I had a stunt groom. Here’s a few images that came to my mind…..

“No, I want the jacket actually in flames. It’s looks hot! Oh and this is HDR. Keep it still”

“That’s perfect. Now when the Chopper flies over, hold the roses in one hand and swing up with the other”

“OK look like the groom is feeling. Scared”

No it’s actually four stories, but the trampoline is solid. Jump into her waiting arms.”

“Hey do we have a stunt bride around here…?”
Gavin Seim

Read More

June 2, 2009

seim-wedding-caveb-photo-40-650x434
Get the essentials: Thinking outside the box works, Just remember to get the MUST have's. Walking down the isle, standing at the alter, the first dance and many more. What's important to each couple can vary, so communication is important.

Where to start, how to get there, how to stay there. Secrets for professional and aspiring wedding photographers from Gavin & others.

by Gavin Seim: How do I handle my first wedding? How do I become a pro? I get these type of questions fairly often. Weddings aren’t for everyone but most aspiring and pro photographers will photograph a wedding sometime in their career. There’s much to be learned from what’s demanded of us at a wedding. While this article is aimed at those getting started, seasoned pro’s will get ideas too.

Today I’ll give some I’ll talk the basics of how I see and think when I photograph a wedding. Tips 1-6 will focus on getting great images. Then we’ll talk a bit about a  post production and business (which is every bit as important). As we go thru them I’ll post some favorite images and share some thoughts.

The first wedding is daunting. Let me say that I won’t be talking about extreme photography basics in this article. If you’re at that stage there’s no shame in it, but you should gain some experience before tacking a wedding on your own. It’s a one time event and if you get it wrong you will be, at best, a sore spot in the eyes of your client. That’s not good for getting new clients and both you and your client deserve better.

If you can, second shoot aside an experienced photographer it’s a great way to learn, gain better portfolio and get more confidence. In my case that never happened. Though got serious about photography at age 12, my first wedding was cold turkey. I photographed for fun at a wedding and the couple loved them. That pushed me forward and my first paid wedding came awhile after. The rest is… Well the rest is below.

seim-wedding-caveb-photo-46-650x434
Try new things: This shot is the result of the first time I used off camera wireless flash (with Radio Poppers) at a wedding. I was just learning them, but made the choice to push myself to get great light in this scene. It paid off and my final image has a neat cinematic feel that fits my style.

Before my first wedding I absorbed the information in at least three wedding photography books. That helped me get a feel for what should happen. Without that study I would have missed a lot of important things. Resources like this are great (I wish I had had them) but a book can help you get perspective and have a reference to review. I’ll list few good books to get you rolling at the bottom of this post.

My first paid gig was back in the film days. I was about eighteen. Armed with my Canon EOS3, a cheap flash, a cheap zoom lens and an old monolight strobe handed down from Doug Miller, a real local pro, I became a wedding photographer. Was I good? No, but I was enthusiastic.

Read More