July 28, 2024

0

capture one, Fine Art, lightroom, lightroom vs capture one, special effects

This makes your black and white better Instantly.

Most of us make black and white by converting color RAW files. That’s the best way. But even if you shoot monochrome digital or film, you must use these colors as filters.

Drop Color for black and white is just as magical as in color.

You’ve probably seen my video about Drop Color how 2 simple colors eliminate the ugly digital look and transform your process. It’s super easy but a game-changer. But what I didn’t tell you in that video is that this works amazingly in black and white with a slight twist. I’ll show you…

You can get the free mini version of Silver 5 presets here and see this in action. To take my tone down further I also use Blackroom and Emulsion 4 in Photoshop.

All the channels matter… But these 2 are magic.

Like the drop color method of a color photo, the color channels on black and white conversion work the same on luminance values and help you create better black and white really fast.

This is the same concept as using the color filter on black-and-white film to limit the light of certain colors and create more contrast and tone. Only in digital do we have more control.

Don’t get locked into one slider direction.

So generally a drop color is pulling done the saturation, or in this case the brightness (luma) of a color channel in HSL. But you can always push a color like I show at the end of the video.

Remember that these methods give you control. But don’t get locked in. And if you pull one color, push another, and see what happens. Usually, blues are pulled for better skies, but sometimes you push them.

It’s the same with green and orange. I’ll show you a great example at the end of the video.

Use this to key your background!

Pay close attention to where I mention exposure. How all these sliders are essentially small bits of exposure but for example on a single color.

So look at the example I show you. By pushing up the skin tone like I did the image gets a little too bright for what I’m trying to do in the portrait. This is actually a good thing.

Because pushing the luminance values in my black and white makes the subject too bright I compensate with an overall minus exposure until the skin is in the Zone I want.

The magic is that it maintained the subject brightness while darkening or keying the background and creating a natural dramatic contrast.

Put the tips I showed you to work with drop color on your black and white photos and watch your edits transform overnight.

Gavin Seim

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July 7, 2024

1

lightroom, lightroom vs capture one, special effects

DXO Photo Lab vs Lightroom tested. Can you switch from Lightroom?

People are sick of subscriptions and hate Adobe right now (they really deserve it). Subscriptions were never for us. So today I compare Lightroom vs DXO Photo Lab.

LR vs DXO Photo – An alternative to Lightroom and C1?

Maybe, but it’s complicated. Quality tools like Capture One (that I reviewed here) are also turning against their users by going virtually subscription only. So I am going to start testing. Today we look at DXO Photo Lab vs Lightroom.

I mentioned Filmist which includes LUTS you can use right now in DXO! For my LR and C1 users, I used Silver 5, Natural HDR, and my Speed Masks.

Last year I compared Lightroom to Lumiar Neo.

It was not there at a pro level. Luminar Neo got a D in terms of pro-level ability in my review. Lets hope in improves but in the last year much has changed.

It’s a fun tool. But not a serious choice for a pro. We need better integrations and better process quality. But with Lightroom vs DXO Photo Lab 7, there’s a smaller gap.

Lightroom vs DXO Photo Lab – Speed

DXO also has some unique tools and it’s snappy. Something you can’t say for LIghtroom and barely for Capture One. Both are resource-intensive apps.

It’s DXO Photo Lab is not without faults.

The 20 minutes of the video is worth it because I’ll cover the important things that make a pro-level app usable for actual pros. Not just cool features that look good in a sponsored review.

Zero sponsors. This is my honest DXO Photo Lab Review

None of these apps sponsor me and I have no affiliate links here at this time. This is just an honest comparison from 20 years of professional experience doing real sessions. No shilling.

Rather than write the results of DXO nouse reduction vs Lightroom and extra tests like how it handles processing against Neo, Capture One, etc. It’s all in the video.

If you want more hard tests of these apps let me know and I will not hold back. DXO Photo Lab Vs Lightroom seems to be a real option. But with limitations that I hope they can improve.

Gavin Seim

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October 22, 2023

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capture one, lightroom, lightroom vs capture one, special effects

These are the secrets of Lightroom’s new color panel. Does it beat Capture One?

Lightroom 2024 brings this amazing new panel called Point Color and it’s really good. Today I’ll show you everything you need to know to master it.

Lightroom Point Color Secrets. Is it better than Capture One?

You can add spot color instantly within pre-made masks like Elegance Speed Masks. Also download my free film presets to play with the advanced color and see how it works beside balanced use of HSL sliders.

Use Point COlor when you need precision.

Much like the advanced color in Capture One. Lightroom point color lets you go beyond the HSL basic color sliders. Select a color spot and you’re in.

Don’t stop using HSL because the sliders we’ve been using for years are clean and you rarely get the artifacts or problems that can come from more precise selection and maks.

That sais point color seems to naturally work flawlessly. Only turn the range down as needed to avoid hard lines and don’t be afraid to use the advanced adjustments.

In the end, point color is not to replace HSL sliders but to give you more control when you need it including in masks like we’re doing here in the video.

Another level of masking.

The only real choice you have to make in point color is to decide whether to use it in global development settings, that is the selection you create based on color and tone will affect everything in the photo like here in the water of Thors Well.

Or do you want to be more specific? Then just ass your point color within a mask brush on, a portrait mask, AI background. You can use it anywhere and it works the same.

Now you may spend some time making these settings and I can’t find a practical way to copy the point color swatches you made into a mask from the main development, This would be useful. What we can do is add various mixes into presets which you’ll see in future updates of my preset packs.

Lightroom Point Color VS Capture One Advanced Color?

Objectively speaking yes I believe point color wins this battle. But they are both powerful and will achieve the same goal.

Lightroom Spot color is more visual, how more ways to adjust settings, and has a 3rd dimension in direct luminosity control in the selection that Capture One lacks.

Some will argue that because Cap[ture also has a skin panel it’s better. But in truth, the skin panel is more limited because it’s still just an advanced color selection.

Yes, capture one does shave have from uniformity sliders in the Skin panel, but the selection is not that precise. Lightroom on the other hand can make an instant subject mask and you can use point color to define the tone and balance of that color on the subject ONLY.

In the end, use what works for you/ Lightroom seems to have leaped ahead once again on one of the few features that Capture One still had as an advantage. Not capturing one is really only looking at a lead in tethering.

We’ll see more in our annual review of Lightroom VS Capture One in 2024 when both apps have new versions and Phase One has a chance to do something big.

Gavin Seim

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October 14, 2023

1

lightroom, lightroom vs capture one, special effects, video

Lightroom Spot Color is here. This Capture One style feature is what we’ve been waiting for.

2024 may be a year of reckoning for Phase One. But there’s no doubt Lightroom took this feature from their playbook after many years. What we do know is C1 just lost an edge with the new Lightroom Spot Color tool and I’ll show you how to use it today.

Lightroom Spot Color was only a Capture One feature before.

Play with Lightroom Spot Color. Grab the Free Filmist presets and play with spot color to enhance details. Also, check out the new Amber Presets pack as it does deep things with color and is a good example of the power of this.

Lens Blur is also cool, but do you need it like Lightroom Spot Color?

The new lens blur feature works pretty well and will doubtless get better. But do we need a mobile-style bokeh in Lightroom?

I can see this being good for enhancing existing bokeh. I would personally avoid it in images that have no bokeh as in our phones it does make mistakes. Unlike the new Lightroom Spot Color which is the game changer, lens blur in LR 24 is just a nice feature.

Blurs have long been limited in Lightroom and don’t really exist in Capture One. I think I’ll find myself using this as a general blut tool more than a bokeh tool. Sadly I don’t see a way to use this in presets thus far.

lightrooms new lens blur tool

Don’t use Lightroom Spot color on everything.

As I explain in the video you don’t need to open this feature up with every color. Most times I apply a preset from Filmist or Amber and it’s formulated just fine. Stay tuned to my channel because I I’ll be making more videos about when and where this tool is amazing.

What this does allow is fine-tuning if you feel a color is just not quite right. It also allows deeper and easier fine-tuning when creating presets so you can be sure I will be implementing it in future updates to mine.

Advanced Color in Capture One is really good, but the visual manner in which Lightroom Spot Color works lets you select colors and see the output and I might like that better. We’ll compare the two in the 2024 LR vs C1 review soon.

Lightroom spot color with visualize
Here I used Amber presets but selected just the dark oranges to adjust them to my liking. By activating the Visualize range you can see only the selected color much like in Capture one.

Using this tool in Lightroom masks is even better.

Ai Masks are amazing in Lightroom and many of you use my Elegance Speed Mask presets to apply them in fast groups. But until now we have had no HSL-style controls in masks and I have always had to find clunky workaround when making presets.

You can bet you’ll be seeing updates to my Ai presets that take advantage of LIghtroom Spot color in specific details. I can say from much experience that it will empower our masking to a new level like me you’ve probably been wanting this for a long time.

Using Lightroom spot color in an Ai mask to balance the color of a blue sky
The power of Lightroom Spot color with a mask is evident. I’ll show you this example in the video.

It will be interesting to see what competition from the likes of Affinity, Capture One and others will bring and we will all benefit from it.

Make sure you sub the Pro Photography Podcast because we will be talking more about all of this.

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May 10, 2023

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free lightroom presets, lightroom vs capture one

Giving a Real World beating to the new Ai Noise tool of Lightroom 2023

Everyone is saying Ai these days. It’s the marketing gimmick. But Adobe is showing that when they say Ai, they mean tools that are actually smart. Like the Ai masks from last year made even better in 2023.

But what about Lightroom’s new Ai Noise reduction?

In today’s video I’ll show you how to use it and give it punishing comparison tests. Lightroom already beat Capture One in my Lightroom vs Capture one Noise and Worms testing. But for photos you need something extra on. This new button is more amazing than I expected. I’ll show you in the video below.

You can get the new Street’ist presets I mentioned in todays video. And you can also download the Free Filmist presets pack to see the grain technique in action. They work perfect to finish up after Ai noise reduction.

At this point we have to start asking how much noise even matters.

The early days if digital left us with lots of noise and artifacts that recent Noise tools and better sensors have mostly brought it up to the detail level that we had in film.

With the improvement this year from Ai noise tools like this, you have to ask how much ISO and noise even matters. You can clean it up so well it’s almost too clean, and adding in a little organic grain like I do in most of my edits is more important than ever.

Old RAw file with ultra high noise corrected by Lightroom Ai

Even on this old 5D MK2 file at ISO 25000, Lightrooms Ai noise using the settings I show in the video completely transformed it like no noise tool I’ve ever used.

ON this S21 Ultra RAW file there was not much noise but the Lightroom Ai Noise process still improved the detail in a way that amazing me. I’ll show you the side by side in the video.

This is the start of big changes in how we edit.

I predict that very soon these Ai editing tools will nor be long processing steps but just part of the system like any other slider. They will keep getting better and as photographer we need to focus on the value of using them but also keeping photos real.

In the end I think this tool is game changing and I hope we see more Ai tool’s make make our real images better rather than a focus on Ai tools making photos that are not real photos.\

Gavin Seim

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