March 12, 2025

1

capture one, lightroom, special effects

Lightroom VS Capture One in 2025 – The Best Photo Editing App

I’m back with my annual review of Lightroom VS Capture One pro in 2025, and we have a lot to compare this year. In fact, I skipped last year waiting for features to iron out and boy, did they.

C1 VS LR. They are King and Queen of editors. But who is King?

When using presets I used as many free pack as I could like the Silver 5 and FIlmist 2 samplers. For speed masks I used Elegance 4.

Capture One VS Lightroom – Use the one that works for you.

In the video we test new features, noise and look at the whole picture. But in the end this is not like my DXO Photo Lab review or my Luminar Neo review where both fell short on basic pro features.

My review is finally here and in putting LR and C1 head to head what we see is competition is fierce this year and other apps like DXO, Luminar and OnOne need to step up.

In the war of RAW editors, both Lightroom and Capture One are top notch in their process and feature,s and you can feel good going with either if one makes you feel more creative or productive than the other.

Are the new features a game changer?

No, nothing this year is a game changer. But there are improvements coming from both lightroom and Capture one. More subtle in Lightroom and in Capture One, things like Match look and Ai crop.

The most game-changing thing in Capture One is actually what they are not focusing on that much and that’s that they have finally almost caught up in masking tools and layers and I’ll show you that in the video.

I do say almost, because there is still no sky mask and this is actually a big lack. I didn’t get into it the video, but I’m hoping Capture one will add this soon.

What about Capture One Studio and other app options.

Capture One Studio has also been added with a few extra features that are mostly collaborative, a few extra Ai tools etc. And it costs nearly twice as much. Making C1 alone nearly as spendy as the entire Adobe Creative Suite. Most won’t need this and it’s a bad look for C1 as these features should be in the pro version. They already cost more than Lightroom.

What about Lightroom instead of Lightroom Classic. The develop and base features are the same and with Lightroom you get both and the mobile app for one price. You can can switch around as needed, but in general I use Lightroom Classic and it has more features. I do compare that in this video.

There is also an App for Capture One but it’s still IOS only. I have not done a review of it, but compared to the Lightroom Mobile app which actually doe nearly everything and can even simply sync with a collection on from LR Classic, the Capture One mobile app is pretty limited.

Conclusion – Which photo app to choose…

In the video I’ll give my opening and final conclusion for the best photo RAW app of 2025 and whether you should use Lightroom or Capture One. Either way you’ll still need a pixel level editing app like Photoshop, even if you use an older version like CS6. I’ve touched on this in the video.

What I am confident in saying is that both meet my own high standards and can create world class images. But in short, Lightroom Wins again overall.

But that does not mean it wins for you.

Watch the video, leave your thoughts in the comments and please share – Gavin Seim

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August 12, 2024

0

capture one, color, Film Presets for Lightroom, presets, special effects

Blue is wreaking havoc in your photos an Here’s why…

The blue channel in photos is powerful and most photographers are using it wrong.

The dirty secret of blues and how to fix them every time!

The video I did on drop color was a game changer for a lot of photographers because it transforms how you edit. But the color blue and the blue channel when editing your photos are nearly as powerful.

You can get the free versions of Natural HDR and Filmist 2 to make this blue control easier. You can also check out PowerFlow presets here.

Like every other channel, right?

In the original drop color we looked at orange and green. So you would think that blues work the same. But they actually affect the image in a very different way.

You want to base your blue channel edits on the types of images and mix it with how you use white balance and other tools. But if you really want to know what blue is doping, use the fully down slider method I show and then move up from there.

A pattern of channels and light.

You may be seeing a pattern, Any one channel is pretty simple. But as you add another you start to get complex mixes that apply to any image. I showed this in my follow-up on the black and white color drop methods.

Yes, today’s blue color tips also apply to B&W photography as well. These are not about looking like film or any particular style. These are about controlling your color and knowing what color is important in each image.

Keep your results in a preset.

That said if you use my presets you’ll see these implemented in their correct form for each presets or style. Filmist looks may be more toned down, the Natural HDR looks may be stronger. But the methods are still being used.

You can download my free packs but even if you use nothing of mine when you get the right mix start saving your settings as presets for Lightroom or styles for Capture One and you’ll see they work across nearly any photo.

Gavin Seim

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July 28, 2024

0

capture one, Fine Art, lightroom, lightroom vs capture one, special effects

This makes your black and white better Instantly.

Most of us make black and white by converting color RAW files. That’s the best way. But even if you shoot monochrome digital or film, you must use these colors as filters.

Drop Color for black and white is just as magical as in color.

You’ve probably seen my video about Drop Color how 2 simple colors eliminate the ugly digital look and transform your process. It’s super easy but a game-changer. But what I didn’t tell you in that video is that this works amazingly in black and white with a slight twist. I’ll show you…

You can get the free mini version of Silver 5 presets here and see this in action. To take my tone down further I also use Blackroom and Emulsion 4 in Photoshop.

All the channels matter… But these 2 are magic.

Like the drop color method of a color photo, the color channels on black and white conversion work the same on luminance values and help you create better black and white really fast.

This is the same concept as using the color filter on black-and-white film to limit the light of certain colors and create more contrast and tone. Only in digital do we have more control.

Don’t get locked into one slider direction.

So generally a drop color is pulling done the saturation, or in this case the brightness (luma) of a color channel in HSL. But you can always push a color like I show at the end of the video.

Remember that these methods give you control. But don’t get locked in. And if you pull one color, push another, and see what happens. Usually, blues are pulled for better skies, but sometimes you push them.

It’s the same with green and orange. I’ll show you a great example at the end of the video.

Use this to key your background!

Pay close attention to where I mention exposure. How all these sliders are essentially small bits of exposure but for example on a single color.

So look at the example I show you. By pushing up the skin tone like I did the image gets a little too bright for what I’m trying to do in the portrait. This is actually a good thing.

Because pushing the luminance values in my black and white makes the subject too bright I compensate with an overall minus exposure until the skin is in the Zone I want.

The magic is that it maintained the subject brightness while darkening or keying the background and creating a natural dramatic contrast.

Put the tips I showed you to work with drop color on your black and white photos and watch your edits transform overnight.

Gavin Seim

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July 13, 2024

0

capture one, lightroom, special effects

Two colors digital gets wrong! The Drop Color Method fixes it instantly!

Two colors change everything in your photography and that is way overdone in digital. Today I’ll show you how to fix them easily in any app. Take 7 minutes and watch the whole video.

Two main colors that Digital gets wrong.

This is because on digital nearly all colors are equal in value, causing them to be over-driven in post. In today’s video, I show a little-known fix ever for colors in digital photos.

You can do this in any app and you will also see it applied in most of my presets and can try it in its perfect form in the FIlmist Free or Complete presets pack.

The first time you do this it might seem extreme. Until you drop!

This is especially true if you have been editing wrong for a long time.

I know, wrong is relative to your style. But remember the goal is always to bring focus to our main subject. Overcooked colors distract from that. Once you understand this, your process will be simple and you will control color separation so much easier.

It’s easy yes, but took me years until the days I started developing Filmist to truly understand.

Never overdrive both of these. Drop color!

At times you might want to push one of these two colors. But it’s rare, even on a sunset. It’s even more rare that I push both. They nearly always compete with each other. Skin, foliage, etc.

Dial both of these to start. Or use a film or other high-level preset like I create for you guys. You’ll see that soon your baseline edit corrects itself and you no longer are looking for this overcome color.

Even on landscapes you fill this method creates more balanced tones and beautiful roll-offs.

Obviously, if you have ever tried my FIlmist 2 pack you have seen this in action. But it may sup[ise you that even in tools like Natural HDR 4 I am using it. HDR needs balance eve more and even in a rich scene I still apply drop color to create the balance that that pack is so famous for.

Yes, you can use this method on other colors.

Take this further by adjusting the hue settings and try the same on blues, purples etc. The two colors here may be the most important to balanced edits, but the method O show can be used on both.

Digital drives colors too hard because no chemicals are getting in the way of making colors bold. So once you start pushing they all push too far too fast.

While the two primary colors should always be reviewed, you can see in this photo that moving colors like blue and red in a similar fashion as I edit this night scene with Street’ist styles.

HSL is a tool you should always use. Having a favorite preset or creating your own baseline with this will improve every session and give you a starting point that truly helps you be consistent and better understand how to make each photo balanced and amazing.

Gavin Seim

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June 12, 2024

3

capture one, lightroom, photoshop, special effects

Everyone is pissed at Adobe. Here’s what happened this week and alternatives to Adobe!

Adobe Cloud was a trap from day one, even if it is a great deal compared to the alternatives. But there are issues with having one big dog and this week they got worse. Today we talk about how that affects us as photographers.

I’ve got you covered from my end…

You decide. If you use my presets and decide to switch, all current packs include LR6 and Capture One files. Have Street’ist or Power Workflow for example. Just go access your downloads here and get the latest files.

Preset packs like Filmist and Natural HDR also include LUTS and those can be used in many apps like Affinity, DaVinci Resolve etc. In fact I edit nearly all my videos with FIlmist LUTS.

Also, all my Action packs, even the new Pictorialist work in CC and CS6 as well. So if you want to go subscription you can still get the iconic looks you’ve been getting for years.

Yes, a lot of people are fed up with Adobe.

Lots of people are dancing Adobe. But it’s not like the other options are all roses. Phase One scrwed over long-term perpetual license holders last year and Capture One cost more than LR and PS combined. Luminar is woefully lacking in processing quality and Affinity is not the best workflow system.

You don’t have to switch or cancel just because people are mad. Negativity is now always a good response. But it’s good Adobe is feeling the heat. This makes more room for competition and improvement and they should no that their actions are not OK!

Consumer rights time is all the time.

As I talk about in the video this goes way beyond Adobe. There’s a trend of large companies who have us locked in switching up the rules and taking us to the cleaners. Netflix, Amazon, Adobe, the list is long.

My theory on this is depending on where you are, one service or another may be worth canceling. When companies abuse customers like Adobe is trying to do, then gaslight them, acting like nothing is wrong and they are crazy for being upset it’s right for people to respond.

But it’s not worth stressing about either. Don’t throw your summer wedding season into chaos just because everyone says we need to cancel. You decide!

There are alternatives to Adobe

I go more into the video. Adobe is indeed the most complete suite of tools for creatives.

But as I mentioned above, I work hard to make sure you have options and we are not totally locked in and I’m sure other developers are doing the same.

An established workshop is hard to charge. While Adobe is king, I am always trying to make sure we are not stuck. So for example I could switch to C1 as my main editor and all my tools still work. Even my Elegance Speed masks now work in Capture One.

I long ago switched to Resolve for video editing. There are Capture One, DXO, and others that may be possibilities for you. And for many older versions of Adobe tools works just fine.

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