OK true story here. Many of us have been here, but this one has a few plot twists.
It all started on a dark night in May.
Well lets skip the prologue. Above is an image I shared recently showing how Matt Black Photography took my photo “Look To The Wind”, edited it badly and posted it on his FB Facebook page as his own image. It’s a page littered with other peoples work and even a Windows desktop wallpaper claimed as theirs. So I posted about it and soon many of you went over and called them out. The page admin proceeded to delete my photo only and all comments from people that had called him out on the theft.
The Crazy Part is that a day layer Facebook removed MY post of the image above from my Seim Studios page and told me what you read below. I was BANNED for 12 hours from Facebook for unnamed violations. It seems nothing is happening to the photo thief. I call this a Facebook Spanking. I had one awhile back and I wrote about it here.
To top this off, the next day when I was allowed back into the land of the social, I posted the screenshot you see below explaining how I got banned – I then got banned AGAIN for posting about being banned for posting about the photo. Say that three times fast! At that point I did what I should have done to start with and started writing this post.
But Wait, It Gets Better: So The page owner, someone named Sam, messaged me making excuses. Apparently he is actually concerned about the fact that he is a thief and I have the evidence. He claimed he was being slandered and that it’s NOT his fault because his ex-girlfriend was messing up his page while he was in jail – No joke.
I didn’t believe him, but I was not looking or a fight. I offered to let it go if he corrected it and fessed up on the page with a simple apology. He obliged by calling me names and informing me the photo they stole above was mediocre and that he would report me if I continued to slander him.
I don’t know where the whole truth lies, but I do know this all sounds like the makings of a hit song. Maybe a country western reggae. Something like this.
I went to jail in summer My girl was one my Facebook page Never should have made her admin She stole photos all o’er the place
But back to business. What does all this mean to those of us trying to run legitimate business’s
Solving Our Three Fold Problem:
Problem 1 – People stealing our photos – In truth I think the best way to deal with that is to publicly call them out and hold them accountable. If need be, whether on a website or social page, you can even file your own DMCA take down request and the host of the image has to respond. Just search for how to file a DMCA complaint. I have done it many times for stolen content and it usually gets results as it bypasses the thief and goes direct to where he’s putting the stolen content.
Of course you always want to take screenshots of stolen content as I did here because it will likely get taken by the thief down when things start heating up. Finally, you can of course take a legal route. A stern letter from a lawyer, or even the legal team at Professional Photographers of America (if you’re a member) usually gets fast results. If worst comes to worst you could sue, but unless there are actually serious damages that’s probably more than most want to take on. Less lawsuits are better I always say and I prefer to resolve things without the lawyers and judges.
Problem 2 – Finding when and where your work is being taken – This can he tough. In my case a nice follower sent me a tip, but who knows how many people are using mine or your images that don’t own them. One handy resource is tineye.com which allows you to search for a specific images all over the web. For some images it works great, but it is a giant index and not nearly every photo in the world is in it’s archive.
You might want to check his page for your own images. But along that note is a site to watch and report to called Photo Stealers. It’s a blog that posts about people who steal photography and us it as their own. They names names and show the evidence.
We don’t have any one solution, but we can be proactive. Just keep your eyes open and don’t be worried too much. The truth is that when someone steals my image like this I do need to deal with it, but this goofball did not really make any money off me. Do mark your name on your images so it’s clear you own it, but DO NOT freak out and plaster ugly watermarks on your work, ruining the presentation. It’s not worth it. More on that in this article on branding and signatures.
Problem 3 – Is the sheer incompetence of Facebook – And sometimes other sites for that matter. Vague terms and undefined punishments are the norm in the social world. A page that you spent years building could disappear overnight because someone does not like you and some desk jockey in a far way land opts to punish or even banish you entirely from Facebook. Their draconian practices for policing content are beyond shameful. Even as an advertiser who spends thousands on Facebook ads I have no contact, no approach, no recourse.
I am close to calling it quits with Facebook. It does nothing but cost me money anymore and frankly gives me very little return since pages get almost no interaction unless you pay compared to a couple years ago. In fact, the payout is very small even when you do pay. But that’s something we covered in this article. In the end you have to weight the pro’s and cons. I’m moving gradually away from Facebook. trying other spaces like Google+ and more importantly my own newsletters that I control.
The best solution? I don’t have all the answers, but these are a few of my thoughts. But when it comes to Facebook I’m trying to get away. We’ve come to rely on them too much and the lack of care they have for users is quite clear. Even if you’re not vocal and opinionated like me, you could run afoul of Facebook gaining only damage to your business. You may not even know why it happened.
My little secret is this: Many have stopped their newsletters because of sites like Facebook – I’m learning that if you build a solid list and send quality content people enjoy it. In fact, they respond much better they do on social networks where ads and information overload have jaded them to all but the most titillating posts.
You can subscribe to my newsletter here or below – When FB becomes useless, that’s where I plan to be. The content is good there and it comes on our terms. You might considering building such a lit of your own. It takes time and cultivation. But it’s an invaluable connection if you do it well.
Gavin is home and the crew catches up on the latest and shares some ideas for 2013. This is a long one because we missed an episode last month. Lots of goodies in the after show as well. Enjoy.
So what have we been up to over here at Seim Studios – We just returned from 3 months on the road and a lot of work on a brand new project. A film called PHOTOGRAPHICS that takes on the artistic aspects of photography and what makes a great photograph. A journey through history and art techniques in a way that has never been done before.
We’ve already filmed a lot, but there’s more to come. We got the film accepted to Kickstarter where pre-orders have been coming in and we more than made our funding goal. We’re really excited about where PHOTOGRAPHICS is going and are eager for it’s November release. The Kickstarter pre-order backings have helped pay the bills and we’ll be working hard over the summer as we plan the the wrap up of this completely unique film. I hope you join in. It’s going to be good.
This is an article I was originally asked to write for Professional Photographer Magazine, a good read – The problem was that editing department hacked it up so badly that it was barley even my words anymore. Such is life, but I opted to not have it published. Below is the full version of the article with a few extras since I didn’t have a word limit here. Enjoy – Gavin Seim
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I’m going to share a few things that can fundamentally change how we make images. NONE of them are new – Sometimes it seems we arrived at digital and left behind a hundred and fifty years of photographic knowledge. I spend a lot of time studying classic techniques. Why? Because it’s not new – It’s time tested. It works. In this digital age we can get so caught up in gadgets, software and tools that we neglect how to make images beautiful from the start. I’m from the digital generation – So while I fully relate, I’ve learned to stop looking for buttons and start looking for light.
1. The Tones:
Ken Whitmire once taught me that “Tone” may be the least understood and least utilized factor in composing and finishing images.” He was right. With digital it’s easy to think “that’s easy”. But as a lover of film and digital, I’ve learned they’re not so different. A great photograph is light and shadows – We must see in terms of tone and how it relates to what we want to capture. Exposure, burning, dodging, finishing – Proper use of tone can literally take the viewer anywhere we want them to go. Now that’s power.
2. The Zones:
I’ve been trying to decide how to discuss Ansel Adam’s Zone System in few words. Zones may be the most neglected tool in photography today. They offer a core to how we communicate and photograph light. Zones are not just for film or black and white. Once you truly understand them you never see the same again. The Zone System is broad reaching. But it’s core is the beautify simple Zone Scale, a representation from black to white. Combine Zones with a simple understanding of metering and there is no over, or under exposure. There’s only your exposure. Your intent. I can’t explain it all here, but there’s a free video covering the basics that I posted over at exposedworkshop.com. It’s an excerpt from my EXposed series and will get you started. Don’t ignore Zones because they will change your photography. You can also read my article on using Zones here.
3. Space, Position, Line:
Ken Whitemire, the pioneer and master of the wall portrait, showed me the value of tones in relation to space, position and line. He has an amazing lecture he gives about this at the Wall Portrait Conference each year – Essentially we need to think about the aesthetics of our image. For this reason I love studying masters like Bierstadt, Sargent and others. We must start by truly seeing our scenes. Think about the subject. How lines lead. Where are they positioned? Why? Is anything distracting? Should it be lighter, darker? Really – Truly – See!
4. Visualize – Again:
Are you really “seeing” in the minds eye? It’s easy to let this slide in an age of instant previews and post production fixes. But nothing replaces visualizing. Ansel reminds us that “The whole key lies very specifically in seeing it in the mind’s eye”. Regardless of our subject, we must stop, if only for a moment. See what’s in front the lens and decide what the subject needs. Then use space, position, line and tone to make that happen.
5. Finishing:
The image is captured. Win lose or draw we’ve done it. I’ve learned that slowing down throughout the entire process makes me a far better craftsman. That includes finishing. It’s easy to raise the bar in post if we stop worrying about making countless “decent” images and start thinking about how to take the “best” and make them sing. Fulfill that visualization, right up until the print is on the wall. That is mastering the photograph.