February 9, 2012

by Jason Eldridge: Have you ever thought, ‘if I could just travel to exotic locations I could produce great images’?  Has that ever stopped you from getting off the couch to go shoot?  It is a way of thinking that will stagnate your growth as a photographer.  This haunted me for over two years.

 I moved from the majestic mountains of East Tennessee to the flat swampland of the Florida Everglades (specifically just south of Miami, FL) and at this time I considered myself a nature/landscape photographer.  My photography suffered as I spent a couple of years complaining about the lack of shooting locations and about how I lost the mountains.  The next trip back to Tennessee is all that would spark my photographic interest.  One day I was sitting on the couch next to my wife who looked at me and simply said “why don’t you just go photograph where we live?  After all we may not be here forever”.  I stuttered a bit trying to find a good counter but to no avail.  The following week I took a trip to Miami for some nighttime photos.

 

I started doing real research about photographic opportunities in my area.  I was shocked at all the viable locations in my own back yard.  I discovered the right times of year to go into the Everglades and what weather conditions worked for both city and nature photography.  I began expanding my focus (no pun intended). Portraiture and wedding photography became an interest.  Before I knew it I was fully engaged into photography again.

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January 26, 2012

by Gavin Seim: There’s info and videos on each product page, but I wanted do a quick overview of how you can use tools in great photo workflow and how Seim Effects collections fit into that. Having your workflow nailed down makes all the difference in creative efficiency. Whether you’re using Seim Effects or other tools, these concepts will be similar. I should also note that every collection I make is unique. Tools are not duplicates across more than one set. Each is a unique focused collection.

So lets start with our original file. A creative efficient editing plan needs a foundation. That generally starts with presets. They seem simple, but great presets are fast, powerful, essential tools that give you control. For a step by step look at my workflow check out this article, The Super Workflow. For now lets look at the SE preset lineup, an elegant collection of powerful tools.

Power Workflow 3 (LR 1-4) | Lighflow (Aperture 3)
Any Photography Type.

These days most good processing starts with a RAW editor such as LR or Aperture. PW3 is my flagship collection of presets for LR and it’s generally where I start. For Apple Aperture you’ll want Lightflow. Both of these are a core. They have a bit of everything from workflow and automation presets to color blending tools, black and white conversions and detail enhancement tools.

Both refined collections stem from years of editing experience and user raves speak for them. Whatever your skill level, if you buy one editing toolkit ever, these are your ticket. These collections will help you be more creative, allowing you to mix, match and tweak to your hearts content, while saving you countless hours. (At the moment Lightflow is our only presets collection available for Aperture).

Color Fantasies (LR 1-4) – Any photography type, wedding and portrait.

CF is an extension of color. Going beyond basics and into deeper color twists, blends and hues. There’s some of this on PW3, but if you love creative color you’ll want CF. It’s all right here, a complete color effects collection.

Color Fantasies is classy, with a vast array of color tools. From vintage processes, baby tools, cross process effects and more. Complicated color mixes that will take your color to new levels.

Silver Shadows 2 (LR 1-4) – Any photography type, black and white. 

Silver Shadows 2 marks a new generation for black and white conversions. Precluding the need for plugins and external tools, SS2 puts powerful silver conversions a click away and allows you to mix, match and blend tones to get stunning black and white’s, while retaining the delicate quality of your original RAW file.

If you love black and white, you need Silver Shadows. PW3 has a selection of basic silver conversion tools. But Silver Shadows 2 is a system for stunning black and white right inside Lightroom.

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So that’s presets. A workflow foundation. Now we come to refining local edits in Photoshop is similar editors. And they should not be forgotten. Often people stop at the RAW edit, but the refined edit is often what separates the men from the boys, making an image really sing. It’s that finishing touch that the best images always get.

Naked Elements  (PS and Others) – Any photography type.

Naked Elements is a complete texture collection in one pack. You buy one set and you get them all. Textures allow you to subtly overlay a texture image over your main piece, letting your base image be enhanced by the texture from the overlay (it’s better seen that described, so visit the product page). NE includes high res texture files that can be quickly applied in Photoshop using the included actions, or in just about any other photo editor that allows layers. You can even apply them from LR using a plugin like Perfect Layers. NE is

Naked Elements is a single collection that includes images of everything from fire, to water, to stone, to my favorite, real images of documents that are centuries old. The NE parchments textures are like nothing else and something that makes NE stand out like no other.

Creative Essentials (PS CS2-CS5) – Any photography type.

One of my first effects collections and one that’ been revised and refined over the years. Creative Essentials is a collection of Photoshop effects that digs into areas you can’t do with a RAW editor.

There’s some essential corrections in CE, along with sharpening tools, powerful fantasy, tonal and glow effects and more. Actions are the perfect way to take a great image and make it something more. In Creative Essentials it’s a little about workflow and a little about finishing touches.

Hollywood Effects 2 (PS CS2-CS5) – Most powerful for wedding and portrait

Deep second generation finishing. HE2 is a collection of creative Photoshop actions that once again bring simplicity to complexity. It’s filled with tools for image effects, glows and in particular skin corrections.

Automated skin smoothing that would normally require a plugin can be done with quality and speed in HE2. Glows and fantasy effects that are not possible in a raw editor.

HE2 is a customizable effects mix that any wedding or portrait photographer won’t want to be without.

 

 

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January 15, 2012

It’s Gavin Seim here and I’m in on site in New Orleans for the next three days at Imaging USA 2012. I’ll be checking out the latest in the photography world and imaging education.

Watch for more posts here, but for more frequent updates, stay tuned to the PPS Facebook page and my Twitter feed.

Also if you’re at the conference, shout out. Send an email to prophotoshow@gmail.com to get on the list because we’re working on planning a photo walk into the French Quarter tomorrow night. Good times coming up.

If your at the con and trying to find me you’re also welcome to email or text me, 509-951-4860.

See you there… Gav

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January 13, 2012

A photo of Tanguy's motion control rig. More below.

by Gavin Seim: As an HDR nerd and teacher I’m not easy to impress. But this did it. Tanguy Louvigny. did this really stunning sequence of HDR time lapses and really nailed it on various levels. First, as an dynamic range guy, I really admire how the process he used in Photomatix is balanced and didn’t go for that way over the top tonemap process.

Next he managed the motion using his own rig made with Tetrix robotics, and controlled it with Mindstorms Brick (actually a Lego product), then programmed it in Robot C. Impressive indeed. You can see more photos of his rig here.

His result for all this was a really stunning body of time lapse work. I hope to look closer at the system that he used for his rig. It seems there’s some possibilities there. You can also read a bit more on picturecorrect as they did a little interview asking Tanguy some detail questions.

All in all it’s quite impressive. Watch the video below and check out his site. And since we’re on the HDR topic, I’ll throw in a shameless plug  and add that if you want to learn more about capturing and processing HDR, check out my HDR Magic video training series... Gav

Here’s a forest series he did using the same setup.

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January 12, 2012

by Gavin Seim: With the new LR4 beta now out, I’ve of course been poking around inside. One great feature for us that capture video, is the ability to play and do light edits via Quick Develop and build video clips into our LR workflow.

But there’s something more that you may have noticed. Initially just basic settings are shown available for video, as we can see on the left. Exposure, contrast and the like. Others get greyed out. Also when you attempt to go into the Develop module for more advanced edits, it simply says “Video is not supported in Develop.”

And yet, it seems we can use some Develop settings via presets. I decided to just run a few from Seim Effects presets and see what happened. I was pleasantly surprised when I saw the dialog below and that while not all, many of the develop settings are actually available using presets. Settings I was able to apply and export on my clip.

Needless to say I was pretty excited. I didn’t see this shown at the Adobe press conference a few weeks back and as far as I know Adobe has announced no official develop module support for video. But it stands to reason it may be coming.

The Technique for right now is to make Develop presets on a still frame and then apply those settings to video. We can tweak color channels, curves and the like and really gain a great deal of control over video clips in very short order. It’s not perfect: There’s still some settings missing that would be valuable, but we’re off to a good start.

I’m rather excited at the workflow potential. And that I’ll be able to offer presets that can be used for video editing. We’ll see what happens. I plan to experiment further and post some free video presets soon on my blog.. G

LR tells me that not all settings from the preset are being used and lists what's available before applying the effect. Still a pretty effective lineup of tools.
Copy Settings showed all available tools currently available on video. Not all, but all these, plus B&W adjustments (not shown in this dialogue) are some of the most important ones. With these we can do some serious effects.
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