Two colors change everything in your photography and that is way overdone in digital. Today I’ll show you how to fix them easily in any app. Take 7 minutes and watch the whole video.
Two main colors that Digital gets wrong.
This is because on digital nearly all colors are equal in value, causing them to be over-driven in post. In today’s video, I show a little-known fix ever for colors in digital photos.
The first time you do this it might seem extreme. Until you drop!
This is especially true if you have been editing wrong for a long time.
I know, wrong is relative to your style. But remember the goal is always to bring focus to our main subject. Overcooked colors distract from that. Once you understand this, your process will be simple and you will control color separation so much easier.
It’s easy yes, but took me years until the days I started developing Filmist to truly understand.
Never overdrive both of these. Drop color!
At times you might want to push one of these two colors. But it’s rare, even on a sunset. It’s even more rare that I push both. They nearly always compete with each other. Skin, foliage, etc.
Dial both of these to start. Or use a film or other high-level preset like I create for you guys. You’ll see that soon your baseline edit corrects itself and you no longer are looking for this overcome color.
Even on landscapes you fill this method creates more balanced tones and beautiful roll-offs.
Obviously, if you have ever tried my FIlmist 2 pack you have seen this in action. But it may sup[ise you that even in tools like Natural HDR 4 I am using it. HDR needs balance eve more and even in a rich scene I still apply drop color to create the balance that that pack is so famous for.
Yes, you can use this method on other colors.
Take this further by adjusting the hue settings and try the same on blues, purples etc. The two colors here may be the most important to balanced edits, but the method O show can be used on both.
Digital drives colors too hard because no chemicals are getting in the way of making colors bold. So once you start pushing they all push too far too fast.
While the two primary colors should always be reviewed, you can see in this photo that moving colors like blue and red in a similar fashion as I edit this night scene with Street’ist styles.
HSL is a tool you should always use. Having a favorite preset or creating your own baseline with this will improve every session and give you a starting point that truly helps you be consistent and better understand how to make each photo balanced and amazing.
Filmist beings the look of real film to digital. You be thinking you’re not interested in buying the the complete pack. So we made this Filmist Lite collection so you can get started with the beauty of film in your edits. These 8 presets are just the start of what Filmist can, but they a lot.
If you like what you see check out Filmist Complete with over 50 emulsions. You can also learn how to use Filmist by watching the training videos for Lightroom here and for Capture 1 here. Aldo if you have any questions just email us, effects@seimstudios.com enjoy!
Grand Staircase is a secret hideaway of Utah – A grand place beyond most National Parks in beauty, in remoteness and in a wild hauntingly beautiful atmosphere. There is another wonder to behold with each new curve of it’s bumpy roads.
It’s not one of those parks you simply drive into on paved thoroughfares, hot dog carts lining the byways. We came in off HWY 89 and camped two nights within the park before we exited the other side. It was a slow winding gravel road with lots of hikes, pullouts and things to see, but no civilization except perhaps a bathroom here and there.
We made it up to the Arch late on our second day and waited for the sunset. The feature here was the double arch, but what struck me about this place was the way the entire structure stands alone out here. Columns of colorful rock sprouting from the ground in stunning display, set in a minimal non-dictating scene. It was a beautiful thing. It made me think of the distant view of the Celestial City from the classic novel, Pilgrim’s Progress.
As the sun set and the light danced on the rocks I knew I needed a panorama of this one. This was the last image I made as the light softened and fell behind the hill. It peeked from the clouds just before disappearing fully behind the horizon and left me in awe of creation.
Release details: Prints Available.. Order Open Edition originals above.. Master prints and Signature Limited Editions are listed below and can be ordered by contacting gallery.
Released prints:
112 inch Master Original on Canvas – Limited edition of, 1 (contact the gallery)
86 inch Signature Canvas – Limited Edition of, 25 (contact the gallery)
74 inch Signature Metal – Limited Edition of, 25 (contact the gallery)
43 inch Signature Canvas – Limited Edition of, 100 (contact the gallery)
ColorFlow has arrived. The most complete color presets toolkit available for Aperture users and a perfect complement to LightFlow for Aperture. You can learn more and watch the video here. Below is the official press details and media kit available for download.
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Seim Effects Introduces ColorFlow – Offers More Than Sixty Color Effect Presets for Photographers Using Apple Aperture
Color Alchemy for Aperture – ColorFlow is a presets collection dedicated to flexible beautiful color. Designed to help photographers deliver outstanding work by allowing them to focus more on creativity and less on the science of color.
Soap Lake, WA (March 27, 2013) – Seim Effects Photo Tools has introduced ColorFlow, its newest creative preset collection engineered by Award-winning photographer Gavin Seim. These new color-only presets have been created specifically for photographers who use Apple® Aperture® software in their digital photography workflow.
For maximum flexibility, the ColorFlow presets collection organizes more than sixty presets across 5 categories of color tools: Essential Color, Color Story, Film Inspired, Hollywood Cinema and Color Toners. The ColorFlow collection allows photographers to deliver very subtle or bold image variations. For even greater control, users can mix and blend color effects for desired mood or visual theme, all while leveraging the power of Apple Aperture software.
Once upon a time there was a guy, his family, a bunch of cameras, a Super Camper and lots of passionate ideas. No sponsors. No backup team – Just the open road, a sense of adventure and three months to take full advantage of.
I’m Gavin Seim. We’re out to explore as we attempt to make images and film that do justice to the beauty America. There’s lots of projects on the menu so we can pay bills and keep gas in the tank. We live mostly by the seat of our pants and enjoy the ride.
On Feb 2nd 2013 we set out for the road trip of 2013 – It’s a tad intimidating but quite amazing. We don’t hang out in RV parks or campgrounds. Months on the road in the Super Camper with my wife Sondra and our kids, Cyrus (5) Ariana (3) and Asher (1). There’s new products to test, new images to make, new stories to tell. Last year the big project was the EXposed Light Workshop. This year we’re working on a brand new film called Photographics. By the way, you can learn more about our rig and tips on how we camp in this article.
With Facebook pages becoming less effective and the fact that I can’t send out the Light Letter every day, I wanted to share our journey with you in more detail than ever before. So rather than clutter up the journal with endless micro posts, I’ve decided to try something new – A Road Trip Journal.
This journal details our adventures by reverse date. The stuff you normally don’t see. The snapshots, clips, odd happenings and craziness. The things I’m sometimes reluctant to share, being such a perfectionist. That’s what you’ll find here. I hope you join in this adventure. Bookmark this page and come back because we’ll keep updating as long as we can still pound the keys. You can also join my Light Letter below for more updates and stories. Lets roll.
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FINAL UPDATE: What it’s Like Coming Home – Day 89-91 05/01/13 – 05/03/13
It’s bittersweet as I drive down the hill towards familiar grassy slopes and familiar cities on the map. We watch a Spring sunset and flowers spattering green hills. Three full months on the road we’ve been. An adventure of that won’t be forgotten. Yet a part of me feels somehow less for it coming to an end. Like my spirit of adventure is fading because I long for that slow hot shower, a bed where my toes do not hang over the edge and where my wonderful wife’s elbows do not hit me in the side every time she rolls over.
The last few days lacked the grand adventure you look for at the end of a long trip. The kids got a stomach bug and did what you do when you have that. Sometimes we had two going at once – The miles were long and we needed to get home soon for Wall Portrait Conference. We drove hard that final day. Perhaps longer than we’ve ever done. Over five hundred miles from Twin Idaho to Ephrata WA. It took us about twelve hours between breaks, gas and pauses to clean up the mess from sick kids in the back seat.
“What a lousy way to end such a grand adventure” I thought – But somewhere along the road I stepped into the sunlight and realized it was not. Sometimes we get sick, but it passes. Sometimes things go wrong, we have to make repairs, or we come in late. All of those things happened on this trip. More than once. But they’re part of the memories, part of the adventure. They’re surrounded by moments of laughs and wide eyes glistening at the wounder of creation.
The moment I pull in I’m starting a new vacation. We worked hard on this trip. We played hard. It was a gamble too, but our new film PHOTOGRAPHICS is already showing in the black and the trip is all but profitable both emotionally and fiscally. All that time on the road, but so happy to have a place to call home.
We walk in after 91 days on the road and switch on the lights. The house is still here, warm, waiting. Nearly as we left it but for a few extra cobwebs. A bed, a shower, a late night movie with my wife after the kids are finally asleep. We really are home. Next it’s time to process the film, repair the gear, make the prints and get organized.
On Sunday we’re off for a week again to learn and teach at Wall Portrait Conference. But really we’re home right now. It’s only a couple hours away and among people we know. That home feeling is back. It’s odd. Truly surreal to walk down the isle at the store and for once in so long see people you know. Get a hug from your mom when you walk thru a door, or see neighbors wave as you drive down the street. I honestly feel strange not being the stranger here. But that passes and fades into tales of the adventure and silent longing for more.
As the sun shines on our first day home, a breeze blowing, spring flowers popping out, I realize that the world is still alive and that both home and away are something grand. Appreciating your adventure is how you look at it. There’s nothing like a place to call home, but there’s also nothing like the open road, your wife riding shotgun and kids kicking the back of your seat as the road rolls by. This is living, all of it.