It took me years to learn that consistency, style, and editing speed are directly linked. Many new photographers think editing slower means a better edit. In general, the opposite is true!
1. Why Speed_Mods improve your photography style and speed.
I’ve shown you how editing mods create a better editing result and speed in Lightroom and Capture One. Today I will break down how they are made and how to use them better.
Like Speed-Masking in Lightroom, Speed_Mods are included in my preset packs and you can make your own. They let you take any recipe and make it your own but without wasting a second. So, lets not waste any seconds and jump right into todays video.
2. Your style starts with consistency!
I know firsthand that finding a style can take time and that you sometimes can’t seem to decide. Part of the issue is that we have SO MANY EDITING OPTIONS that we lose focus.
It’s not wrong to have various flavors in your photos. But your style can be defined not only by how you shoot, but also by the nuance of your edit. Most overthink this, so they are always searching. But your recipes combined with Speed_Mods will help you stay the course, and your style will shine through every time.
When you create or use presets in Lightroom, the goal is not to create the same photo as everyone else. Just like when you shot Portra 160, it did not mean your photos were meant to look like the rest of the world.
Things like this Xpan 65×24 crop can help you define your style. And film edits and mods do the same.
3. Recipes are like your Film, Mods are like your chemicals.
If you use Filmist and add Porta or Ekrar or Classic Negative, those looks are a base recipe that has been proven to work millions of times.
Buy using a recipe (like choosing a film) you create a aesthetic, but just like in the darkroom we could then shift shadows, tones and details by how we developed, not you can adjust that recipe to your liking.
Of course going straight to granular sliders is fine. But say I apply Silver 5 wet plate look like I did in the video and I want a more HDR feel. I can go and play with sliders of I can simply apply the HDR mod from mod-kit presets. The speed-Mod gives me a refined process based on testing and I am done in a moment.
Professional software is about being able to find your creative edge and your style. Just like for 20 years we’ve used Actions in Photoshop, the RAW editing apps made for pros will always have tools like presets and styles to let us create more and faster.
In the viddeo we see how this photo started as a bit of a dud. But we found the style in it that fit with my theme by having the right mods recipes.
4. Photographers who know their own style!
I can’t tell you the amount of times I’ve seen people say. Don’t use presets, don’t buy presets, make your own style. It’s like saying, find a harder way and use that instead. Pros want all the tools at their command.
There’s nothing wrong with making your own presets and styles like I show you in this video how to plan your own Speed_mod presets. Just don’t put up walls to your creality.
I’ve spent hundreds of hours refining packs like Silver, Natural HDR and Filmist. (all of these have free packs) Why? Because once a work is built, it can be used again and again and I don’t have to waste those hours to maintain the creative style I use with those presets and a few mods.
Recipes and mods combined like this will elevate your editing speed and style, and I hope you’ll give it a try and tell me in the comments what you think.
Gavin Seim
Mods like Speed Masks that I use in Elegance 4 let me use advanced tools fast and try them, that means I try more things to get the look I was going for. Speed, recipes and good mods means a more focused edit, not a generic edit.Many mods can work. By finding a recipe I like this bold warm Gold-Chrome look, I can then mod to make the style fit my visualization . Staying consistent and strong in my shadows and presentation.
It’s Gavin and with the new year brings us latest versions as we compare Lightroom V Capture One
Which is better for editing your photos in 2023, on the desktop or on mobile. Lightroom V Capture One. Today, we test both head-to-head and see who wins.
1. Lightroom V Capture One 2023: Which photo editing software is best?
In todays video for we compare Capture One and Lightroom for 2023. I use both all the time, and in making products like Silver 4, GoldChrome and Filmist film presets. So I’m always elbow-deep in the capabilities if these photo editors.
So who offers the most in 2023? Lightroom V Capture One? Watch the video to get right to it. I’ll add extra thoughts and tests below. In the video I’ll start with my conclusion to save you time. But stay for the rest and see what makes each one of these editors great.
Try these recipes out in Lightroom V Capture One by downloading my free Styles and Presets with Filmist, Natural HDR and Silver 5 sampler packs that I created.
Reminder. Both LR and C1 are still RAW editors.
Tools like Photoshop and Affinity Photo are layer-based pixel editors, they should not be directly compared. There are other RAW options like OneOne RAW and Lumimar Neo. reviews on those are coming soon. But today, we’ll focus on Lightroom vs Capture as they are the big dogs and what most photographer are using daily.
I’ll also include more images as examples below….
2. Lightroom vs Capture One: Is it better to choose a subscription or perpetual license in 2023?
Lightroom and all Adobe products have been subscription only for years. One of the big draws of Capture One has been the perpetual license. Capture One costs a lot more than Lightroom, but I’ve always felt owning software is better, and in general, subscription, models are not as good for us users.
This year, that’s no longer an advantage of Capture One vs Lightroom.
While you can still buy Capture One as a perpetual license, it does not include any feature updates, and Capture One has all but thrown perpetual users under the bus. In fact, it was a bit of a scandal how they handled it and we talked about that in this video here.
It’s likely that C1 will end all perpetual licenses soon. Even now, the value of their perpetual license is pretty low, so it’s not a deciding point in favor of Capture One Pro.
I used the Filmist Ektar like preset here. You can see whether you use styles or manual edits that in the end photos look equally good in LR or C1
3. Lightroom V Capture One: Which offers better RAW image quality?
I’ve been using both for many years. Capture One claim to fame has always been that it has more controls and settings. Things like being able to select and manipulate any color range rather than simply having the six basic color sliders in Lightroom.
This is not a small question. Process quality matters, and not all RAW processing is equal. I have tested others that are badly lacking in highlight control and detail management. However, Lightroom and Capture One are both excellent image processors.
Do extra sliders make Capture One edits better than LR?
Not really. Capture One seemed to have more nuance on highlight recovery and control than Lightroom in the past. But in recent years, Lightroom has caught up and maybe even passed Capture One.
There are more nuances to the controls. in Capture One. More color channels. levels, and curves instead of just curves in Lightroom. However, I use every ounce of these to create advanced color profiles such as my Porta presets and the Classic Negative in my Filmist pack. More controls do not make always editing easier. In fact, it’s usually harder in Capture One to get a recipe perfect.
Extreme hights in Lightroom 23 vs Ccapture One 23. I used a preset from Natural HDR on both. Click for a larger view.
4. Capture One vs Lightroom 23 Noise, Worms, and Fuji Cameras.
I shoot a lot of Fuji cameras and others as well. Capture One has always been promoted as better for Fuji users due to the way it handles the X-trans sensor data and produces a less wormy effect in noise. I’ll show you in the video above.
I also made this video about Fuji worms to compare and found little difference. Lightroom handles Fuji files just fine. In fact in in the Lightroom V Capture One battle, I would say Lightroom has better noise reduction than Capture One. Really!
When Capture one looks better out of the gate, we can see that C1 is applying more noise reduction by default, making it look better than Lightroom at times. But as soon as you apply an equal NR to both, the results are super close. Also most people are trying to remove noise when they should be using it. Watch my video on how to handle noise here.
You may need to click and see this full screen. You can see that the noise and worms are equal or maybe even favor Lightroom in this Fuji test. Both files were given an HDR proves from Natural HDR and I refined noise settings in both for a clan look.
5. Lightroom vs Capture One 2023: Which software has the better feature stack?
Lightroom has more modules and features. This like the Lightroom print module actually is very useful for getting real-life photos made to its web module for galleries. You don’t get that in Capture One.
Capture One fans tout it’s improved tethering abilities and we don’t dig too much into that here since it’s not the feature most of the market needs. Both can tether well and if tethering is your key feature, you should try them both see what you like best.
In general in the Lightroom V Capture One battle, you get a more all-in-one package with Lightroom. But you may not need print or web modules and developing features are more or less the same except that in layers. Lightroom excels in it’s editing experience.
6. Using Layers in Lightroom V Capture One.
In the past Capture, One Pro had the big feature that was layers. Lightroom masks were limited, and C1 layers can use nearly all the sliders and features to develop a photo compared to a limited adjustment set in masks for Lightroom. Technically, that’s still true.
Realistically, Lightroom’s new Ai masking layer system changed everything. It’s far faster and more precise to refine almost any image type, improve a portrait, separate a background, or do anything else.
The 23 version of Lightroom will even separate eyes, faces, and other details with near spot-on accuracy. The best mask refinement you can get in Capture one 23 is a magic brush that feels like it’s from the last decade (because it is) and manual masking.
Don’t try to replace Photoshop/Affinity with Capture One or LR!
Those manual masks in Capture One are good and offer a few more tool options. Detailed pixel-level layer edits like I show you in my videos or that we create with action packs like Blackroom and Lumist will NOT be happening in C1 or in Lightroom.
Whether it’s Lightroom V Capture One, they are still Raw editors with “some” layer functions. For most, layers will be faster and more useful in Lightroom. But those who prefer an all-manual approach may still enjoy C1 layers.
6. The best mobile Photo editing, Lightroom vs Capture One in 2023.
Lightroom has much better web integration in that it can sync with the cloud, you can even select individual collections in Lightroom Classic that will sync to LR Cloud and visa versa, and it is also available on mobile.
One advantage Lightroom has is that, while the sync features are not always perfect, nearly all of the developed software is available in all locations. Even on your phone, you can edit a photo using presets, masks, and every detail, develop sliders, and then move to the desktop and have everything in place.
Capture One on the other hand, has an iOS only mobile app for iPad. It does not sync, does not have anywhere near the full feature set or nuanced control that the desktop version has, and does not sync between the two.
If you want mobile and online editing integration, Capture One is not even in the running. If you are mostly desktop, this may not matter, but once you try Lightroom’s mobile features, you might be pleasantly surprised at how useful it can be. In the mobile Lightroom V Capture One battle, LR wins big.
Lightroom Mobile syncs with the cloud and has a full suite of tools. Capture One Mobile is only for iPad and very limited.
7. When to choose Capture One vs Lightroom?
Capture One will not make your photos better and has less features. The only reason to go Capture One is if you love how it renders or work in a space that everyone uses Capture One. If you need C1 don’t worry, it gives great results just like Lightroom.
For most it’s no contest this year. I’ve always been a tough critic of Adobe. It’s hard to deny that Lightroom in 2023 offers more bang for the buck. Capture One will edit your photo beautifully, and I still intend to keep supporting it and making style videos.
Lightroom V Capture One 23 Conclusion – No Real Contest!
Lightroom offers more for the money by far than Capture One. It has gone from falling behind to jumping a generation ahead with refined masking and AI tools for 2023, while Capture One’s new feature set includes no real AI.
Capture Ones big feature in 2023 was smart adjustments and they are not very smart. You may find them useful as they try to match the exposure and White balance between images and this could be great for batches since Lightroom’s AUTO develop develop settings are still pretty bad.
In practice however the new Capture One Smart Adjustments are not that impressive and offer very few options or tools versus Lightroom. Capture One 2023 has a few other new features and improvements, but it lacks anything truly unique or cutting-edge.
Lightroom V Capture One value? C1 should cost half of what it does!
Considering you can get Lightroom + Photoshop for far less than the cost of Capture One alone, and if you get Capture One, you will still need Photoshop for something similar for more advanced edits, and even basics like printing which Lightroom has built in and it works well.
If you’re on the fence about Lightroom V Capture One, then Lightroom is probably what you want, this year. Let’s hope Capture One starts listening instead of trying to squeeze their customers in 2024 and maybe they can bounce back and win the Lightroom V Capture One battle.
Let me know what you think in the comments, and we will see what the next year brings. Lightroom V Capture One is still a tight race despite the gains of LR in the past year but in this competitive market, it’s really no contest in bank for the buck.
Classic Negative and Classic Chrome are two very popular color profiles on Fuji cameras. It seems Fuji is the only camera maker who has managed to make its in-camera profiles iconic. That’s because they create their camera profiles from Film. The problem is they only work on some cameras
Filmic presets are the solution.
The Gen.2 Classic Negative Like presets have been refined a lot since my first version a few years ago giving you the JPEG-like colors with the RAW advantages in post.
I just finished Filmist V1.8 with new Gen. 2 versions of my Classic negative-like and Classic Chrom-like presets, as well as Ektar Gen2 (I made a post about that here) With nearly 5 years of development, Filmist has become a king of great filmic presets, and I’m super proud of it.
I’ve been making master preset packs since Lightroom launched. But the hardest to create are my Capture One and Lightroom film presets, Filmist. Presets like PowerFlow and Natural HDR and great. But the film does something magical for digital.
IN it I’ve included the improved Gen.2 version of Classic Negative like for you Fuji lovers, PLUS a few other film presets to get you started. The improved Classic Chrome and Ektar presets are included in Filmist complete.
I love Filmic presets. Here’s why they work so well.
Overdriving sliders in an edit is a very common problem. More is not more in a great photo. That, I believe, is why people like these Fuji camera profiles—they are subtle.
It’s silly, but it hurts a little when my customers reject my recommendation to try Filmist as their next pack. I know they are missing out. I love film presets because when you shoot real film or edit with good film presets, it changes the way you create photos.
Things that were once boring become atmospheric and feel more real. It helps you gain perspective on every other process because film will always have an organic look.
The JPEG Classic Chrom from my Fuji V100V next to the RAW file processed with the presets only. This looks was especially hard to re-create on RAW, but now that I have it I can use it on files from any camera.
I also love Fuji cameras and they have great profiles like Classic Chrome. But I don’t use them much. I nearly always apply the looks with a preset and not a baked-in look because it gives more control. Plus you can use filmic presets on any camera or even video thanks to LUTS.
PS: If you want to create your own Classic Chrome preset for free, you can watch the video I made on the Gen 1 recipe here to get a good starting point.
Filmist 1.8 brings better C1 and Lightroom Film Presets!
In today’s post, I’ll share a variety of photos processed with these Capture One and Lightroom Film presets. Everything comes from my newly updated V1.8 and nearly world-famous “like” versions of these recipes as presets for any camera.
1.8 also has the new Gen 2 of the Ektar 100 which is a really great film. I’ll write more about that in another post. All these looks come thanks to many test images from the long hours, so they are more accurate than ever. The updated version includes the Lightroom Presets, the Capture One Styles, and the video LUTS.
You can also download the Filmist sampler again for the 1.8 version. If you own FIlmist Complete, this is a free update, and you can get your account for the latest install.
Classic Chrome Like, RAW File with presetClassic Negative Like, RAW file with preset
A Classic Negative vs Classic Chrome Profile Review
Classic Negative – is a bit deeper and more intense. It has subdued colors but is more contrasty. It’s well-loved for streets for that reason, though usually, it’s not my favorite for portraits. Turn up the exposure a little on portraits to make it smoother.
Loosely based on Superia 200 and Classic Chrome is very loosely based on Kodachrome. I talked about that in this video.
Classic Chrome – is soft and gentle and sometimes you may need a bit more if your light is not contrasty. But it’s versatile.
While Classic Negative has an almost soft color look, classic Chrome is a bit brighter and more slide film-like, even though it’s not actually that close to the Kodachrome film it was inspired by.
Both produce great results and both can feel very natural. But if you look at these examples you can see how each has its own character. All these examples were done with the presets, which means camera type is not a barrier.
Film presets should be made with extensive testing to work well.
I do extensive homework for every film I make. In fact, making Gen.2 of these was hard because they were already good. I had to spend hours refining fine details in Lightroom and Capture One, and that’s the most tedious part.
When I shoot with Fuji cameras, I use both of these profiles. But in the post, I always take the RAW file and use the presets. Yes even before the built-in fuji-specific RAW profiles for better dynamic range and more accuracy.
It’s important that we can apply these looks to any file, any camera, old or new. Not just the latest model. Because when editing a project, you need consistency, not looks that are all over the map. If I shot part of a project on Fuji and another part on Sony or Canon, I want to be able to edit them with the same feel.
Presets make it easy and turn a recipe that requires dozens of hours to create into a single click. All while leaving you in control. By using presets on Raw instead of baked-in JPEGS, I get smoother highlight roll-off, I can increase or decrease the effect, and I can change my mind later.
The Classic Chrome-like presets on a SONY Raw FileClassic Neg-like presets on a SONY Raw File
Film presets solve a problem.
I made Filmist so we could better bring the darkroom to digital. Before, we had a limited number of films but a nearly infinite number of ways to develop them back in the day. Most are gone now. Today we have many ways to develop with a simple slider and while under-editing creates boring photos that lack atmosphere, over-driving a slider can take a great photo and make it bad instantly.
Film has an organic shadow-rich look. So Wwen you start editing with film presets you get more than just tinkering with sliders. Yes, you save time, but you try things and see things. Colors, shadows, various kinds of reds, and nuances can take a rather plain photo and make it seem like something from the pages of National Geographic. Color, Silver mix, and shadows matter.
You can see in just the Classic Negative and Classic Chrome looks that while the processes are not that intense, they are distinct and when you learn to make the destination or the nuances you become a better photographer and editor. Film makes that process a whole lot easier because it’s backed by hundreds of years of chemical processes and research into what makes our eyes respond to shadow and light.
Below are a few more examples of these modern film-inspired look
Gavin Seim
Fuji RAW File, Classic Chrome Like Lightroom FIlm PresetFuji RAW File, Classic Neg Like Lightroom Film PresetI’ve dialed the looks in for as Lightroom Presets and Capture One StylesIN Both LR and C1, Classic negative is a bit moodier and with less saturated tones.
RAW Portrait Classic Chrome LikeRAW POrtrait Classic Negative Like
We’re going to talk about the 3 Lightroom and Capture One presence sliders today, but I’m not going to teach them the way Adobe does! We’re going to reverse things!
Presence – Clarity VS Texture VS and De-Haze are important!
These all affect the atmosphere. I make use of them in nearly every edit. You’ll also see them used in subtly different ways when I make Lightroom Presets and Capture One Styles pack like Filmist, and Versus when I make tools like Natural HDR.
You’ll also see me use all 3 of these deeply in Lightrooms Ai presets that I include in Silver 5 and Elegance Speed Masks.
I simplify Clarity, Texture and De-Haze in the video. But here’s an overview of what the presence sliders do.
You know about the presence sliders in Lightroom or their equivalents in Capture One. But do you know that these sliders are often used really badly? I’ve taught Lightroom since version 1, but I’ve rarely seen these sliders taught well. Today I’ll show to use them for near-magical results!
The clarity in Lightroom and Capture One allows you to adjust the midtone contrast of an image. By increasing clarity, you can add depth and mid edge definition to your photos, making them appear more detailed in a gritty vs softness sense. Clarity can soften the appearance of an image and give it a more ethereal or dreamy look.
Mixing them up for more presense. Here Elegance Ai masks are used to bit globally we lowered Clarity while increasing Texture. This combination can give a perfect mix of detail and softness.
The texture is a newer but more important feature in both Lightroom and Capture One. It allows you to adjust the amount of detail and texture in an image, which can be particularly useful for enhancing the appearance of skin, fabrics, and other fine details in a photo without the ultra-fine lines and artifacts that come from heavy sharpening.
By increasing the texture, you can make these elements of your image appear more detailed and realistic. Conversely, decreasing the texture can smooth out rough or bumpy surfaces, giving your images a softer look. This can be magic in portrait edits.
All the presence sliders are up a bit here because it brings our richness and texture. But don’t assume that just because it’s food or streets you always want to turn them up. Go down also and watch good things happen.
The De-haze is a useful feature in both Lightroom and Capture One also. It allows you to remove hazey feeling from images. By using the de-haze feature, you can remove this haze and restore the detail of your images in a broader contract sense that’s almost like combining Blacks and Whites. BUT… Don’t always turn this up…
Reversing De-Haze is really taught and VERY powerful. I’ll show that!
I turn Dep-Haze down as much as I turn it up. Maybe more. Because when creating authentic films, organic feeling portraits, and gentle tones, photography ten to use these contrast and presence sliders altogether too much.
IN this POrtrait I used the FIlmist Portra 160 preset and then pulled down Clarity, Texture, and De-Haze a bit to give a natural organic lens feel that reminds me of how we used portrait filter on the lens all the time in the film days.
Clarity, texture, and de-haze are powerful tools in Lightroom and Capture One that allow you to fine-tune the surface of your photos.
I hope you enjoy and share this because if you know what these sliders can do for your photos, you will improve your ability to edit with them. If you use my presets, pay attention to how I apply these 3 sliders. A little can go a long way and really perfected looks can be created using these settings.
Gavin Seim
People often confuse clarity for HDR. But as I show in Natural HDR presets, they are not related. This is too much clarity for this portrait. There are times for a gritty high-pass style portrait. Or maybe you are creating a theme that;’s intense. But unless it’s for a solar reason, avoid too much.
Lightroom is a powerful black-and-white conversion tool. But RAW processors tend to focus on color tools and give us a few simple sliders for black-and-white conversions. The secret to black and white is how to mix all the little things to make the shadow magic.
Last month I launched the Silver 5 presets, and in today’s video, I’m going to show you how to use Silver 5. But, along the way, I’ll reveal the secrets of what makes a great black-and-white in Lightroom, so you can use them no matter how you edit.
I’m going to use Silver 5 in today’s video and show you how it works But whether you use it or create your own method, these tips will still work.
If you use Capture One, I made a video dedicated to black and white with Capture One using the new Silver 5 styles. Watch it here.
Silver 5 brings over a decade of pushing to make black and white in Lightroom easier and faster. It takes the concepts I’m going to show you in today’s class and makes them easy by letting you #1 add a black and white base mix and #2 quickly modding it to get the right look for your visualization.
If you’re serious, Yes you do! Even if you don’t use Silver 5. Don’t let photo snobs tell you presets are for amateurs. The amateurs are the ones to get low-quality conversions because they are too lazy to get a good Lightroom preset in place that lets you start with a really good tone mix.
Do you really need presets for black and white?
You can do what I’m showing you if you make your own presets. But don’t ignore presets. I am featuring Silver 5 presets in this video, but this process of converting black and white using presets as a base rather than wasting time with a slow manual start will transform your black and white and your edits will absolutely improve. Don’t let any purist amateurs tell you different.
I’ll show you what I mean in the video as we explore how to use Lightroom presets to get black and white in Lightroom that is better than you have ever created before.
Lightroom has a tad fewer sliders than Capture One, but Lightroom has the advantage of Ai masking layers which despite not having as many sliders are generally more powerful than Capture one layers. You’ll see these integrated, especially inside the new Mod Kit presets that come with Silver 5.
The real secret to black and white in Lightroom is mixing the tone vs the channels of color with details in various ways. This can be done manually but in reality, you won’t try enough. It would take too long.
Silver 5 or perhaps your own carefully crafted presets are hundreds of hours of refining those sliders and let you test it on a photo in seconds to find the look that we were creating in your mind when you pressed the shutter.
