January 11, 2022

capture one, free capture one styles, free lightroom presets, Fuji Classic Negative Preset, lightroom, lightroom vs capture one, special effects

How to Fix Fuji worms and noise in Lightroom VS Capture One

The Fuji worm invasion came after the film! In today’s video, I’ll show you how to fix it.

I want to tell you a story as we continue the LR vs C1 experiments because today I going to show more important ways to control details like the wormy artifacts sometimes caused by ISO noise.

I was starting photography in the late 90’s when I saved up for a Canon EOS 3. Oh I thought I was the coolest ever (hint, I was not)

I devoured the magazines. In those days we talked about fine-grain films like the new Portra 400, but words like worms and color noise were not topics. 1600 ISO was about the limit and it was noisy. Take it or leave it!

These days I’ll sit for hours and tinker with a formula for presets like Natural HDR 4 to get the best detail and tone from our files. Photographers that use presets actions and tools get better results. Because they see more without working harder.

35mm film was like having 10-20 megapixels.

This was me in the early 2000’s with my prized EOS 3.

Serious pros of the day said 35mm was not enough. Strangely they downgraded a few years later to the 6MP generation of digital SLR’s.

No matter. My EOS 3 cost $1000 without a lens and I used it for years, starting out my portrait and wedding work and being the official photographer at the local speedway. It had eye control focus, meaning it focused where you looked in the viewfinder. It did not detect the subject’s eyes like today’s cameras. It was just cool and it worked, some of the time.

Each Saturday I would go early to the speedway and pre-sell photos for 15 bucks. Then I would sit all night in the center field taking photos, playing with pans, and getting dusty. On Monday I developed 6-10 rolls of film, sort 4×6 prints, store the negatives and give the prints to my racers, hoping to profit about $200

That 35mm film with it’s noisy ISO 800 grain was what I had and I made it work and I learned a lot in that dusty center field.

But noisy was relative and more organic then. It was silver. These films were classic and looked beautiful. The formulas I’ve created in Filmist presets are more high-res than we had then, but they look great because they look like film.

PS: Download my FREE Filmist pack to get my noise presets and the film looks if you missed it. You’ll see what I mean about film color and detail.

Download Filmist mini here to get my free noise formula preset.

Today I think about the hurdles we had to get a good print and how many stages of noise and artifacts and dust and scratches could be introduced.

Today we pixel peep and panic over a little blip in a sensor or a little noise that as I showed in last weeks video is easy to clean up with good use of detail and grain tools

Watch my worms video and learn how to control detail.

I love doing testing. It’s experimenting like in this week’s video that help us understand more. It’s that hunt that results is tools like my presets and like Emulsion 3 and Lumist for Photoshop.

So this week I uploaded another video looking at more grain and noise. It’s a focus on Fuji files, but also another look at LR vs C1 and how it will handle noise regardless of what camera your worms and artifacts come from.

That’s all for this week. I’m hitting the streets looking for light like I found here and processed with Filmist. Come Monday I’ll be back to my experiments, working on formulas and ideas for next week’s email.

See you then, Gavin Seim

Fuji X100V ISO 800, Filmist process and Gavs detail preset

December 21, 2021

capture one, lightroom, lightroom vs capture one, special effects

Capture One VS Lightroom in 2022. Which one is better today?

What Should you use Capture One or Lightroom

I promised I would make a video about Lightroom VS Capture One because it’s been a while. The Capture One vs Lightroom workflow is similar, but not the same, and there’s a lot of debate.

UPDATE: There’s a new 2023 version of my Lightroom vs Capture One Review. Watch it here.

In 2022 both editing apps have advantages. So in today’s video, I’m going to get hands-on and show you Lightroom and Capture One, and how to get the most out of both so you can decide which one is better. Should I use Lightroom or Capture One Pro? Let’s find out.

Watch my video: Lightroom vs Capture One 2022

Get my Free Lightroom presets and free Capture One Styles.

Try my Natural HDR , as well as packs like Silver and Filmist film presets. Presets/styles make a huge the diffence in both apps if you usequality recipes. All my develop preset packs have Lightroom Presets and Capture One Styles inluded. Even the free preset packs you’ll find around the site.

Is Capture One or Lightroom more feature rich in 2022?

In the past, Adobe also tended to move slowly, but in the past year, they have started innovating with Lightroom. Probably because of competition from apps like C1, One One RAW, and others. So we all win here.

Lightroom and Capture One are powerful tools, and I’ve been using both for a long time. I develop editing packs for LR and for C1 side by side. I see their ups and downs. You’re here to compare Lightroom vs Capture One. So I will in my conclusion and in the video above.

While they both have advanced, I feel that Lightroom is edging out Capture One and I think it’s mostly happening because Phase One does not listen to customers. There are things in C1 2022 that are just finally improving after many years of customer requests and frustration.

Lightroom AI and auto mask tools are far ahead of Capture One. Capture One in turn has more panels and adjustments than Lightroom. This can be good, but also confusing to new users.

Capture One can be purchased. Lightroom on the other hand is all subscription based. Unless you go with the old Lightroom 6 version bought used. It’s a good app but getting very dated.

But Gavin, Capture One is better for Fuji files and WORMS!

Fuji files in Capture One are always said to be better. Are they really? If you use Fuji you’re in the right place. We’ll look and see if C1 still handles details better in the video, so you can make the best choice for your Fuji workflow in 2022.

The short answer is no. For more in-depth analysis on this, watch my other video here on worms on Fuji files in LR vs C1.

The results of both Lightroom vs Capture One are good, but they have distinct differences that may sway you to one or the other. There’s nothing wrong with switching back and forth, but I like to choose a main primary editor each year, and that’s how I manage most of my work.

capture one vs lightroom fuji files — Lightroom handles Fuji and any other files perfectly in 2022 and so does Capture One.

What about older versions? Like Capture One vs Lightroom 6

I don’t dig into this in the video. But if you’re holding out because you hate the cloud model and won’t subscribe to Adobe. I get it. and for you, it’s time to switch. LR6 is very dated, and the processing tools you can get in Capture vs Lightroom 6 are better, hands down. Stop clinging on and get upgraded to something better like Capture One, One One, or another RAW editor that does not demand a subscription.

Conclusion – Lightroom vs Capture One?

I’m noticing more people starting to switch back to Lightroom as the price of Capture One rises. though available as a standalone, it actually costs more than Lightroom and Photoshop combined in 2022. But at least you own it.

Capture One Pro has some more advanced tools that some of you will like, and Lightroom os more essential. Capture one has a Levels tool and a Curves tool, for example, while LR only has curves. In the end, both these tools do more or less the same thing, but having both can be handy,

Lightroom is improving at a faster pace. For years Lightroom was pretty stagnant, but people moved away from forcing Adobe to up its game. As of 2022, mask tools, particularly AI tools, are more powerful in LR. The layers in C1 are nice, but the interface is dated, and they have not had substantial feature updates to layers in years.

Don’t think you can avoid a real layer-based editor like Photoshop or Affinity by going with Capture One or Lightroom. It’s not a replacement. C! and LR are still RAW editors and if you try to replace Photoshop with it alone, your finished images will suffer.

Since this video, there have been a few interface updates as C1 tries to get more modern. But Phase One is very slow to listen to customers and make changes. Though Adobe is also guilty of this, you would think Phase One would want to be on top of it to gain market share. Sadly, they don’t seem, to care about customer happiness any more than Adobe does.

If I was asked right now… Capture One vs Lightroom Gavin? It will have to be Lightroom. But it’s a personal choice and this could change with an update. They are close. Get a trial of both and see for yourself.

Final Capture One VS LIghtroom Thoughts.

When I first started testing Lightroom vs Capture One years ago, I was impressed, and it seemed like a viable way to escape Adobe. But as time goes on and prices go up, Phase One seems to be ahead of itself.

In the end, these are both very good editing apps. Lightroom is easier to use and has more features overall. Capture One has more nuanced color control, but there’s little I can do there that I can’t find a way to do in Lightroom.

If someone tells you that Capture One gives you better images. I have not found that to be the case in 2022. Lightroom produces equal results. So try them both and use the one that feels best to you. they are both good. In the end, these are simply tools, and if Capture One takes a big leap, I will be right back here talking about it and not afraid to switch.

Meanwhile, Lightroom wins the overall Capture One vs. Lightroom battle, but both apps are good and produce excellent photo edits.

Make sure you check out my presets and styles store for great tools for both.

Gavin Seim

August 21, 2020

capture one, Film Presets for Lightroom, Film Styles for Capture One, lightroom, lightroom vs capture one, presets, special effects

Lightroom vs Capture One battle – Which is really better for Fuji?

Does C1 give better results on Fuji or other files? Today we look at some hard-to-process files from a Fuji XT-3 and see what the results say.

We’ll take a few FUJI RAW files and see what really hap[pens when we do the same process in LR and C1. To do that we’ll use the Classic Negative look from Filmist which will process the images almost identical in both.

Let me know if the comments what you think about the results and what you prefer.

Also for your own tests you can…

January 3, 2020

special effects

How I re-created classic negative and other films as presets.

So what’s the secret to making digital film looks and great color and tone in presets? That’s something I’ve spent a lot of time with and today I’m going to share some tips for making better edits whether you’re making your own presets or using tools like Filmist or Natural HDR to make it easy, then tweaking them to your taste.

But today we are looking at the Classic Negative profile, a digital version of Sueropia 200 that’s popular on Fuji cameras. I made this so we can use it on any camera.

The Classic Negative look we talked about in today’s video is available for free.

You can Download the free pack on the filmist page.
It now inludes Classic Neg and 8 other film profiles.

November 3, 2019

Film Presets for Lightroom, Film Styles for Capture One, Free Effects & Goodies, free lightroom presets, Fuji Classic Negative Preset, Gavin Seim, special effects

Fuji Classic Negative is beautiful. So I made a classic neg film simulation for any Camera!

With the Fuji Xpro 3 came the Classic Negative look. It’s based on Superia 200. But older cameras and other brands don’t have this film style. As part of the Filmist Project, I started creating classic Fuji-like presets for Lightroom and Capture One. This is my Classic negative film simulation!

So I made Classic Negative Like, a Free Lightroom Preset, and Capture One Style that’s like shooting it in the camera, but better.

Getting film presets to work on any camera takes time. The classic negative-like simulation was no exception. I don’t like camera-specific color profiles that limit you. I use a preset like this “Classic Negative”-like preset. I also made a Classic Chrome preset and you can read about that here.

In action… Classic Negative film recipe Preset and Capture One Style.

– DOWNLOAD my new 2024 V2 Fuji Classic Negative preset FREE.

The improved Gen.2 2024 classic neg film simulation in my free pack on the Filmist 3 film presets page. It includes Classic Negative as a Lightroom preset as a Capture One Style a LUT for video, PLUS a couple other presets from Filmist.

For years, I’ve been expanding my Film presets project, creating presets such as Porta, Fuji 400, Fujifilm black and white, and others. So I created a mini-free pack from my complete Film presets collection You can get the Seim Classic Negative look for free.

I’ll add the link above so you can get my latest version of the Classic Neg-like look and try it out. Feedback has been great on this and the new 2023 version is even more dialed in,

Fuji Classic Negative Like Lightroom Presets and Capture One Style — In-Camera JPEG beside my 2023 Classic Negative, Like Gen.2 presets for Lightroom and Capture. This new version of my classic neg film simulation is better than ever.

Film-inspired recipes and presets bring out the magic.

Film is a secret weapon most photographers don’t realize. It brings a nuance and atmosphere. It helps us balance shadows in a digital slider world that is often overcooked. See my post… Filmic Lightroom presets and styles ground your edits.

That’s why Fuji is the only camera brand people love for its color profiles. They are inspired by film and they have years of understanding how shadows and colors alter our senses.

Fuji Classic Negative look was inspired by Fujifilm Superia, a negative film from the 1990s. There are zero technical reasons to make color profiles work only on the latest cameras, it’s just a marketing trick. That’s why I set to work and made filmic presets/styles and Luts for this process.

Fuji Classic Negative lightroom preset — Classic negative Like applied to a RAW file.

Don’t stop at the Classic Negative film presets.

People can get stuck on these Fuji colors. They are good, but they are just film-inspired looks. I’ve included a few more film presets for Lightroom and Capture One in the Filmist Sampler download, like Portra 160, start extending out and trying the films, and the more you do the more control you will have over the tone and atmosphere of your photos.

My free classic neg preset works for Capture One, Lightroom CC, Lightroom Classic, and Lightroom Mobile, and has a preset for older versions like Lightroom 6. Go here if you need help installing presets.

I hope you enjoy this Fuji Classic Negative look. Please let me know what you think or if you have questions. You can also subscribe to my YouTube photography channel.